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  • How to use a wireless and wired headset for training purposes

    How to use a wireless and wired headset for training purposes

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    For all businesses it is important that they train their employees correctly so they know how to deal with unique or difficult situations. The companies that utilize phones for most of their business need to be able to train their employees by listening into their calls and making sure the information they are providing is correct and up to date.

    There are special training cords for both Jabra and Plantronics corded headsets. For Jabra there is the Y-Training Supervisor Cable with Mute Button which enables the trainer to listen in on a conversation and also interject if needed.

    jabra y-training supervisor cable with mute button viewFor Plantronics there is only the y-training/supervisor cord, splitter with mute switch. This enables the supervisor to choose whether they interject or not by simply hitting the mute switch.

    Plantronics Y Training/Supervisor Cord, cable splitter with Mute

    For wireless headsets that are older than the CS500 series you can use something called a Zoomswitch.

    Zoomswitch Wireless Headset Training Adapter

    The Zoomswitch enables you to connect two wireless headsets two it and then connect it to the desk phone. This allows two people to be on the same phone call just like the training cables.

    HeadsetPlus.com has a pre-bundle Plantronics wireless training package, complete with everything you need: Plantronics CS540 Wireless Headset Training Package

    For those rare cases that you have both a wireless headset and a corded headset and wish to use them both for training you can still use the Zoomswitch.

    However you will need to make sure you have an amplifier which connects from your corded headset to the Zoomswitch. The reason you will need an amplifier is because the Zoomswitch connects to the handset port which normally does not have any amplification by itself. Therefore you will need an amplifier to amplify the signal up to the corded headset. Since the wireless headset has an amplifier built into the base it does not need to be connected to an amp. It’s important to mention that the Zoomswitch is not EHS compatible, however is HL10 compatible for those people looking to get the remote answer.

    Here is the training setup for the zoomswitch, found here.

    Also available now are USB Headset training setup for softphone users, see our blog here:

    Jabra Computer USB Training Bundle 2xJabra Biz 1500 Mono Headset

    Jabra USB training Headset

    Your entry level for a training setup for any computer, covering 1 ear allowing users to be aware of their environment, call controls that let the users mute microphones, adjust volume and answer/end calls. Get yours HERE.

    Jabra USB Computer Training Bundle 2x Jabra Biz 1500 Duo Headset

    jabra usb computer training bundle 2x jabra biz 1500 duo headset view

    Your basic training setup for the computer but covering both ears, designed for louder environments without breaking the bank. Get yours HERE.

    Jabra PC USB Training Bundle with 2 X Jabra Biz 2300 Mono Headset

    jabra pc usb training bundle with 2 x jabra biz 2300 mon headset view

    A step up from the basic setup, the Biz 2300 has a better built quality, Kevlar Reinforcement and good proportions of weight for a daily use. Get yours HERE.

    Jabra PC USB Training Bundle with Two Jabra Biz 2300 Duo Headsets.

    jabra pc usb training bundle with two jabra biz 2300 duo headset view

    Covering both ears for a loudly office. With the well known reputation of the Jabra Noise Canceling microphones and the Kevlar reinforcement, helping it to last longer, be lighter and tolerate office accidents like stepping on it. Get yours HERE.

    Plantronics USB Training Bundle with 2 X HW510 Headsets

    plantronics usb training bundle with 2 x hw510 headsets view

    Coming from Poly/Plantronics we have the HW510, that is a mono over the head style headset, the training adapter gets plugged into the USB adapter, allowing the users to use the setup with their computer and soft phones. Noise Canceling from Plantronics and the HW510 allows the end-user to customize the headset with bigger earcups if needed. This setup is Telecoil Hearing Aid compatible, which gives it an advantage specially for people with hearing aid. Get yours HERE.

    Still have questions, call one of the headset experts at HeadsetPlus.com  877-999-3838. they can answer any questions you may have.

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  • “The Position of Party Office is that of Queer Anarchism”: A Conversation with artist-curator Vidisha-Fadescha

    “The Position of Party Office is that of Queer Anarchism”: A Conversation with artist-curator Vidisha-Fadescha

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    Interview by: J. Shruti. Photographed by Akanksha Pandey. Assisted by Asad Sheikh.

    The “party” in Party Office seems like a subversion of the term’s traditional use, but it also offers an expansive way of looking at it by acknowledging that the bodies that exist in clubs, in public spaces, are inherently political because of how they are perceived. Could you tell me how you arrived at this name?
    One of the ideas behind the practice of Party Office is that the gathering is a site where people can engage with each other without a formal commitment to something. The way the neoliberal system judges what is “partying” is to think of it as this wasteful thing where you are doing nothing, but I think that “nothing” is actually a space where you are not participating in the capitalistic system. When you are failing, that is when you are challenging the capitalistic system. I am interested in that failure.

    On the 2019 election result day, I threw a party called ‘Mangone’ because, right before that election, the PM had done an interview with Akshay Kumar about eating mangoes. People wanted to sleep through the day after it became evident that morning that BJP was going to win, but then many did show up for the party because such collective grieving is very important so that you remember you are not alone. This collectivity is anti-systemic, as any system tries to isolate you and make you cynical.

    So, after Modi was re-elected, I started working on nightlife because academic spaces build these theories and critiques, but when it comes to practise, they don’t invest in it. At a club, you have at least three events a week. We would speak to and train the bartenders and security, including about how to make infrastructural changes for a hospitable space for trans people; for instance, “you cannot touch people” or “you cannot use their dead names”. There is no police because we are anti-policing; they criminalise us by rendering us a menace. Here, we help people consume drugs and alcohol safely, have sex safely, and I think that’s what a party should be.

    “Party Office” draws from offices of political parties. And, it also plays around with the institution of an office, an institution which asks for a certain kind of productivity, a certain kind of architecture, a certain kind of gendering of space — so I am also trying to bring queerness into that type of office institution.

    I have had experiences where I felt safe, felt seen and accepted. We know what pleasure is because our pleasure is not necessarily found or represented. Parties become important to transpeople as a site where we can be our full selves; nightlife is also where one finds employment. It is primarily either the entertainment or sex work industries that employ people who are queer or trans. So, I am creating my own space, where we are familiar with each other’s vigilances, and/or respect boundaries.

    “Party Office opens at a moment where, as a generation, we don’t relate or have any associations with our present political parties.” This is from your manifesto. Many academics say that people born after the ’90s are likely to have a consumerist mindset instead of a political one, and that is especially true if you are upper caste and upper class and likely benefitted from the privatisation policy. How do you reason with or explain this feeling of disconnect that is ubiquitous amongst younger leftists in the social space you have created?
    I don’t actually believe in a “left” in India. Firstly, what is claimed as such is communism, and that was appropriated by upper-caste brahmins. And second, the form of communication that communism took was academic writing, which automatically means that communists are not supporting the Bahujans — the large majority. So, I don’t know what we call leftists here because a lot of this language of “liberal, left, centrist and right” comes from American politics, where people still understand what that is. India has not had large national parties for a long time. The BJP came up in the ’80s and was not considered a big party when it did. It is only after numerous Congress corruption scandals that it consolidated the power it has now.

    What I see more are liberals who think, “I will go and give a flower to the police and that is going to work in my favour”. I want to tell them, “You are a fucking idiot because you have not read the manifesto of the police”. It says that “police are formed to protect the state”. If the state wants to harm you, then the police are going to harm you. My position is not at all that of a leftist, I am an anarchist, and the position of Party Office is also that of queer anarchism. I don’t think what the state gives me suffices what I need to live.

    Clockwise from top left: Jyotsna Siddharth, Malini Kochupillai, Ramya Patnaik, Fadescha-Vidisha, Shaunak Mahbubani. All in their own clothing.

    So, at the Party Office, one of the primary things is that people only speak from a life lived. We are not representing anything, and I am not representing anyone. Even in terms of the publications we are producing, if someone has written a text, I find somebody from the same community they come from to edit or translate it because language has its own dialects as well. We are currently publishing a bilingual book in Marathi and English: Towards a Dalit Structure of Archiving; which has essays by people who were organisers of the Elgar Parishad. The translator and editor, Coral, is familiar with the same Marathi which has been used and so doesn’t colonise the authors’ writings.

    We also have a project called ‘Consent of the Governed: Social Strictures, Constitution & Kink’. It critically considers the Constitution to see how it affirms us, or if it doesn’t. The Constitution does not take consent from the people it governs, not the way kink does. So, kink is my counter to the Constitution. It is also my counter to the state. That’s because in kink, there is mutual pleasure always negotiated. There is also continuous consent; it is “relating”, not a relationship.

    Your expressions of dissent have to co-exist with the expressions of the upper-caste artists who also use familial and social connections to establish their legitimacy in the art space. How do you navigate that?
    I have had the privilege of education, but even within the education space, although I have been invited by Ambedkar University, NID [National Institute of Design] and several others as a “guest lecturer”, they have never employed me because my caste is not supposed to be employed in that position. The art world is a privileged place, a very “meri beti ka artwork laga do” [display my daughter’s artwork] kind of space. And the artists who are able to survive are usually upper-caste people, who have their networks within the fields of the work they are doing, both in India and internationally. I don’t want that kind of dependence, and, in fact, don’t have that kind of dependence either.

    How I got to where I am is thanks to a lucky draw. When the Panchayat system was set up in the villages in India, the first elections happened through chit-picking. My grandfather and a brahmin person applied for it, and my grandfather’s name was picked in the draw, and he was made the sarpanch of our village. And then my father was the first person among the community to get into civil services, which was a highly regarded profession. So if it wasn’t for the lucky draw, or the commitment of my parents to always provide for us more than they have ever received, and push us to always learn and always work to support other people, I wouldn’t be here.

    At the Party Office, I am inviting people who I want to grow old with. And in the last two years, Party Office has hosted a lot of people who have left their homes, and have needed a space they feel safer at than their homes. And that is what it is about — building a community that you can feel safe with, can align yourself with and cuddle with.

    You have been invited as a Lumbung artist for the Documenta Fifteen exhibition in Germany. How do you see this in the context of what you have been doing so far at Party Office and the creative outlets you want to continue to engage with?
    Documenta is a contemporary arts exhibition held every five years, and it has been a canon of artistic works that comment on and challenge the status quo. Unlike the commercial and white aestheticised practices you see at Biennales and art fairs. This edition focuses on collective voices coming from the Global South. Ruangrupa, the Indonesian collective who are curators of Documenta Fifteen, with their ramming ethos, have imagined something the Western art world is unable to articulate. The artists and collectives invited ask questions that pierce through the gaze of the white audiences. This year, the organising artist exchange and exhibition has been a large transcultural dialogue among 65 collectives and “collectives within collectives” who are invited.

    Party Office is an art and a social space, which operates transnationally and at satellite locations. It comes together after several years of artistic and organising work. With Party Office, through “conceptual architectures” such as grants, publications, artist commissions and fellowships, our work focuses on foregrounding lived experiences. We are building new archives where authors are able to express their plural self and take agency on their narrative. This work is actively anti-caste, anti-racist and trans*feminist, and that is also because I have lived experiences of being outcasted within these patriarchal structures.

    Some of the methodology we use may not be traditional subjects of enquiry; such as the site of a party, exclusive spaces for trans and BIPoC people, the practice of kink, as well as our work ethos where institutions are held accountable for their incompatible structures. Party Office is also unapologetically political — we are here to work — a work towards having peers and friends who we can share safe moments with, and who care for each other. [“safe moments” is a term my friend Kinkinella uses.]

    I find this year’s Documenta to be meaningful in terms of connecting so many of us who might work together in future, those who share similar empathy or have similar inquiries. Those who seek a certain kind of collective futures. It is also a moment where many years of practice have come together to be shared at such a scale with several new audiences.

    Editorial Notes:

    1. Since this interview, Party Office suspended their programmes at Kassel due to transphobic and xenophobic harassment, and lack of an adequate safety programme offered by Documenta. They have shifted the programme partly to Berlin, and partly online. They have asked for a formal apology from Documenta, who are yet to offer their comment upon the issue.

    2. Taring Padi, an Indonesian artist collective, came under scrutiny at Documenta for their work ‘People’s Justice’, which contained images that were construed as being anti-Semitic. The group has put out a statement saying that the caricatures were not targeted towards a particular group, but were rather a visualisation of the structural militaristic violence that was propagated with abandon by governments, citing the Indonesian genocide of 1965 under General Suharto as an example.

    Disclaimer: The views expressed in this article by the interviewee are personal to the interviewee and are not of the platform on which it is published. Neither does the platform support nor does it oppose the views expressed in the feature/article, but it supports freedom of speech and expression as per the law.



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  • Guide to Rawhide Chews for Dogs and the Latest Alternatives – Dogster

    Guide to Rawhide Chews for Dogs and the Latest Alternatives – Dogster

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    The dog treat aisle of your favorite pet store is undoubtedly filled with rawhide chews in various shapes, sizes, flavors and brands. Despite its popularity, there are conflicting opinions about rawhide for dogs based on how it’s made, whether it’s safe for your dog and what alternatives exist. Fortunately, if you wish to avoid rawhide chews altogether, there are many great rawhide alternatives including things like dental chews and bully sticks. Let’s paw through it.

    What is rawhide?

    Rawhide chews are dried animal skins, made from the leftovers of the leather industry. Rawhide is the inner layer (hypodermic interstitial tissue) of cow, horse and pork hides and is separated at the slaughterhouse.

    How is rawhide made?

    Most rawhide is made overseas, and it’s preserved in a high-salt brine to slow decay during transport. When it’s ready for processing, it’s treated with lime to separate the fat from the hide, and then other chemicals are used for hair removal. Next, it’s rinsed and, if needed, bleached to appear whiter and cover the signs of decay. Afterward, the hide is sanitized, usually in a hydrogen peroxide bath, rolled into sticks, or shredded and molded into a shape, and dried. Finally, the rawhide is packaged and shipped to stores.

    Where is rawhide made?

    Today, there are only about 30 U.S. tanneries in operation. Most tanneries use an enormous amount of water and produce large volumes of wastewater. As a result, a majority of rawhide products are made in China, Mexico and South America, which have fewer environmental law restrictions.

    U.S. rawhide products tend to be fresher because they travel a shorter distance by truck, instead of across the ocean on container ships, and are frozen for transport instead of placed in salt brine.

    Photo 2: Dog rawhide chews are made typically made from cow and pork hides and come in many sizes and shapes. ©Rachel Phelps

    Should I give my dog rawhide?

    Most dogs are a fan of this popular go-to chew. Their owners are too, because

    • Rawhide satisfies a dog’s natural instinct to chew. It is an excellent positive alternative to your pup chewing up your shoes, TV remotes, furniture and other household items.
    • It helps keep a dog’s teeth clean. Rawhide acts like a doggie toothbrush that helps reduce plaque and tartar buildup and keeps their gums healthy.
    • Canines have been eating dried animal hides for thousands of years, so it is a great way to encourage a dog’s scavenging instinct and stimulate your dog.
    • Rawhides are inexpensive treats.

    Is rawhide bad for my dog?

    Dog rawhide chews are made typically made from cow and pork hides and come in many sizes and shapes. ©Rachel Phelps

    Of course, there is always a downside, even to dog chews.

    • Due to the manufacturing process, there can be trace elements of toxic chemicals and bacteria contamination, such as Salmonella or coli, that could make you or your dog ill.
    • Your dog may be sensitive to rawhide or even allergic to the chemicals used to make it. This could lead to digestive issues such as diarrhea.
    • Rawhide chews can be a choking hazard. Not only can rawhide cause serious gastrointestinal upset, explains Dr. Whitney Bruce, partner veterinarian at Wills Animal Hospital in Owensboro, Kentucky, but they can even lead to emergency surgeries. Pets can suffer obstruction, or a serious blockage of their stomach or intestines, which can result in death if not treated appropriately, says Dr Bruce.
    • Rawhide can cause tooth breakage. The rawhide is hard and dense once dried and rolled into dog chews. If a dog is an aggressive chewer, or already has damaged teeth, chewing the tough hide could lead to teeth breaking or cracking – sometimes requiring surgery to remove the broken teeth. The rawhide could also cause cuts and scratches in the mouth and esophagus.
    • There may be subpar quality and a lack of safety standards at the manufacturing plant. Since most rawhides are made in China, they do not have to abide by the U.S. laws concerning product purity and safety. Also, the tanners are not required to disclose or recall products that may be unsafe.

    What are rawhide alternatives?

    There are many excellent rawhide chew alternatives. These products are typically made from ingredients more easily digestible than rawhide but have a similar look and texture. Since rawhide is not recommended for dogs under six months of age due to teeth breakage and smaller mouths and digestive tracts, these alternatives are great for a teething puppy.

    • Beef and Pig Ears – Bring out your dog’s natural scavenging instinct with flavor-packed natural ears. The Farm Hound brand even has ears that still have the hair on them. This hair acts as a digestive aid and a natural dewormer. However, ears in general, have higher fat, so they are not suitable for canines who require a low-fat diet. $3.49 – $6.99. 
    • Bully Sticks – These single – ingredient sticks are a highly digestible chew made from beef pizzle (a muscle). These sticks come in various sizes, shapes, flavors and even three braided sticks. $2.09 – $13.09 
    • Cod Skin Rolls – These low odor chews from Tickled Pet are great for many dogs with allergies. These chews are made with only one ingredient, dehydrated salmon skin, and are full of healthy Omega-3 oils. Available in eight to 10 roll packages for $16.99. 
    • Collagen Chews – Collagen is a protein found in the skin’s inner layer called the corium. It is one of the critical components in an animal’s connective tissue. “Collagen chews are excellent for your furry friend as it provides protein that is naturally abundant in your pet’s body,” explains Traci Mierzwa, brand manager for the Barkworthies dog chew brand. “While rawhides provide a great distraction to your pet, our 100% digestible collagen chews are minimally processed to ensure the key nutrients are there to promote healthy skin and coat, aid in bone and joint health, and the simple act of chewing prevents tartar and plaque buildup.” Chews start at $9.99. 
    • Dental Chews – One of the big benefits of a rawhide is to keep your dog’s teeth clean and tartar free. There are some great rawhide chew alternatives designed specifically for dental health, like the brand Loving Pets Ora-Bone Dental Treats. Their unique design features a central bulb that cleans behind the dog’s teeth and the roof of the mouth while the nibs massage gums and scrape the tongue. These chews come in three sizes. Ten chews for $13.99. 
    • Tough ToysGoughnuts brand dog toys are made for the most aggressive chewers. These 100% natural rubber toys are perfect for the toughest chewers and have a lifetime guarantee. These even have a chew toy safety indicator (a colored rubber strip in the center) that lets you know when it’s time to replace the toy. According to president and founder Amy Rockwood, the rubber recipes are developed by an in-house engineer, and the molds are designed for even the toughest chewers. The toys are available in different strength levels for all different sizes and types of chewers. $10-$25 each.

    Dogs should always be supervised when chewing on rawhide – no matter what chew you pick – in case they gag or choke on the item. If the chew becomes too small (small enough for your dog to swallow it whole), take it from your dog immediately and promptly dispose of it.

    Now that you understand how rawhide chews are made, the benefits of giving rawhide and the potential risks, plus the many great rawhide alternatives, you can make a better-informed decision on the best chew for your pet.

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  • Reflecting on the Best Ways to Use Glass-Front Cabinets

    Reflecting on the Best Ways to Use Glass-Front Cabinets

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    PHOTO CREDIT: RAYON RICHARDS

    Glass-front cabinets are a welcome addition to any kitchen design. Not only can they break up the monotony of repetitive solid cabinet faces, but glass doors also add both form and functional appeal. Now, let’s take a look at some glass-front door uses to help you incorporate them in a way that makes sense for your kitchen layout and style.

    As of late, glass cabinet doors have become more of a staple than a trend in kitchen design. A few of the top benefits of glass-front cabinets include:
        • Creating depth to help make smaller spaces appear larger
        • Allowing for pops of color and seasonal décor that can be displayed behind glass-front cabinets
        • Leveraging available light and adding reflective interest to the overall design

    Ultimately, glass cabinet doors offer both functional and aesthetic appeal depending on what’s housed inside. Possibly the perfect alternative to completely open-shelving, glass-front cabinets will keep your collectibles safe and sound.

    (more…)

  • Tesla’s Head of AI and Autopilot Is Leaving the Company After 5 Years

    Tesla’s Head of AI and Autopilot Is Leaving the Company After 5 Years

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    • Tesla’s top AI and autopilot executive, Andrej Karpathy, announced on Twitter that he is leaving his role. 
    • Karpathy says Tesla’s autopilot technology “graduated from lane keeping to city streets.” 
    • Karpathy’s exit comes at a critical time for Tesla, amid layoffs and a federal probe into the safety of its autopilot technology. 

    Tesla is losing its top autopilot executive. 

    Andrej Karpathy, the director of AI and Tesla’s Autopilot Vision team, announced on Twitter late this afternoon that he is leaving his role

    In a tweet, Karpathy said, “It’s been a great pleasure to help Tesla towards its goals over the last 5 years and a difficult decision to part ways. In that time, Autopilot graduated from lane keeping to city streets and I look forward to seeing the exceptionally strong Autopilot team continue that momentum.” 

    In response, Tesla CEO Elon Musk tweeted that it has been an “honor working with you.” 

    Karpathy’s exit comes at a critical juncture for Tesla’s autopilot unit. The National Highway and Safety Administration is investigating the technology, alleging that Tesla’s autopilot software was involved in more than 200 crashes since July of last year. The federal agency’s probe may result in a recall of Tesla vehicles that come with the autopilot function.  

    Just two weeks ago, Bloomberg reported that Tesla laid off about 200 workers in its autopilot division and closed an entire office in San Mateo, California.



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  • Face Exercises To Lift And Tone Your Face

    Face Exercises To Lift And Tone Your Face

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    Are face exercises the new botox? If you want to try out a natural, skin-lifting method, face exercises might be your best bet for contouring your face and rejuvenating your complexion. Face exercise (also referred to as face fitness) involves performing exercises that lift, tone and sculpt the 43 muscles in your face. 

    Our recommendations come from the book Face Fitness authored by skin expert Patricia San Pedro. Patricia has founded two programs called “Yoga Glow” and “Face Fitness,” and writes about facial exercises that can rejuvenate your complexion. The exercises are divided up into facial areas, including the chin and jawline, lips and nose, cheeks, eyes and forehead. Let’s dive in. 

    What Are Face Exercises? | Preparation | Chin | Jawline | Lip | Nose | Cheeks | Eyebrows | Forehead

    What Are Face Exercises?

    Face exercises are customizable facial massage techniques that can be practiced every day for one to two minutes in the morning or evening. The end result should be a sculpted and toned complexion. 

    In the same way that you work out the muscles in your body, working out your face muscles can strengthen them and improve your facial appearance. According to Face Fitness, massaging your facial muscles “activates” your skin’s collagen production and gives your skin a “lift.” Avoid face exercises if you have:

    Preparation For A Face Exercise Routine

    It’s important to always start with a cleansed face using a double cleansing method. The first oil-based cleanser removes impurities dirt, sebum, makeup and pollution. The second water-based cleanser gets rid of any remaining residue and dead skin cells, leaving your skin thoroughly cleansed. 

    Next, choose a face oil for your exercises. You can shop our range of serums or facial oils. As Face Fitness advises, use a blueberry-sized amount of your chosen product.

    Chin Cardio Sprint

    The “Chin Cardio Sprint” is designed to tone and prevent sagging skin and double chin along your chin. As mentioned above, use a generous amount of facial oil and replenish as you go. Note that there are four positions: upper-left collarbone, center-left collarbone, center-right collarbone and upper-right collarbone. It should be performed in a quick manner like a regular cardio exercise. 

    Step 1: To prevent the unwanted appearance of a double chin or sagging skin, place your right pointer, middle, ring and pinky fingers above your upper-left collarbone. Press in as you sweep your fingertips upward toward your jawline. Now, move your right hand away from your face to make way for the next movement.

    Step 2: Place your left pointer, middle, ring and pinky fingers above your center left collarbone. Gently press your fingertips in and upward toward your chin. Move your left hand away from your face to make way for the next movement.

    Step 3: Place your right pointer, middle, ring and pinky fingers above your right center collarbone. Press your fingertips in and upward toward your chin. Move your right hand away from your face to make way for the next movement. 

    Step 4: Place your left pointer, middle, ring and pinky fingers above your upper-right collarbone.  Press your fingertips in and upward toward your chin. 

    Step 5: Reverse this alternating move, starting the upward sweeps from your upper-right collarbone to your upper-left collarbone. This is 1 full set. 

    Step 6: Repeat, completing 3 to 6 reps. 

    Jawline V Shape Contour Exercise

    Use this next exercise to create a natural contour around your jawline. Use a blueberry-sized amount of facial oil or serum. 

    Step 1: To contour your jawline, place your right pointer finger above your chin. Place your right middle finger below your chin.

    Step 2: Apply firm pressure as you sweep your “scissor” fingers up, hugging along your jawline, toward your right ear.

    Step 3: Place your left pointer finger above your chin, and place your left middle finger below your chin.

    Step 4: Apply firm pressure as you sweep your “scissor” fingers up, hugging along your jawline, toward your left ear. This is 1 full set.

    Step 5: Repeat, completing 3 to 6 steps.

    Lip Plumping Exercise 

    This exercise should give you a lip plumping effect. A pea-sized amount of oil on the pads of your pointer and middle fingers is all you need. 

    Step 1: Place the pointer and middle fingers of both hands just above the middle of your lips. Press, hold and massage in an outward circular motion. Move outward with each hand as you massage around the upper area of your lips.

    Step 2: Continue on toward the corners of the mouth, then make your way to the skin under the mouth, massaging upward and out around the lips.

    Step 3: Continue for 15 to 30 seconds.

    Nose Contour 

    Want to define the area around your nose? Use a pea size amount of serum or oil with the nose area.

    Step 1: Place your middle fingers on either side of the bridge of your nose.

    Step 2: Apply pressure while gliding your fingers upward towards your eyebrows and release.

    Step 3: Repeat, completing 3 to 6 reps.

    Cheek Glow

    Use a generous amount of facial oil or serum for the Cheek Glow exercise, replenish as needed. This exercise should create a rosy glow in your cheeks and brighten your eye area.

    Step 1: Place the pointer, middle and ring fingers of each hand at the bridge of your nose. 

    Step 2: To improve circulation, create circular movements, moving across your cheeks then toward your temples.

    Step 3: Gently glide your fingers under your eyes and back to the bridge of your nose without exerting any additional pressure. This is one full set.

    Step 4: Repeat, completing 3 to 6 reps.

    Eyebrow Lift

    This exercise will dissolve tension in the brow area to create a lifted look. Use a pea-sized amount of serum on moisturized hands. 

    Step 1: Place your ring fingers under the inner corners of your eyebrows and your middle fingers over your brows.

    Step 2: Glide your fingers to the outer corner of each eyebrow, lifting your brows at the same time.

    Step 3: Repeat, completing 3 to 6 steps.

    Forehead Smoother

    Massaging your forehead can reduce tension in the forehead, which helps prevent forehead lines. For this exercise, use a pea-sized amount of oil or serum.

    Step 1: Place your right pointer, middle and ring fingers at your left temple. Apply gentle pressure as you swipe across your forehead toward your right temple.

    Step 2: Place your left pointer, middle, and ring fingers at your right temple. Apply gentle pressure as you swipe across your forehead toward your left temple. This is 1 full set.

    Step 3: Repeat, completing 3 to 6 reps.

    Will you use any of these face exercises at home? Let us know if these exercises help keep your complexion looking toned and lifted. We’d love it if you share your thoughts with us in the comments below and join the conversation on social media.

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  • Notes on Dissonance | Verve Magazine

    Notes on Dissonance | Verve Magazine

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    Illustration by Opashona Ghosh.

    In a church adorned with jasmine flowers and fairy lights, I looked into the eyes of my partner and said “I will”. It was a few weeks before the COVID-19 pandemic, and the pews were full — my friends and family had flown into Visakhapatnam from all over the country, and the world, to attend the ceremony. I was wearing an off-white brocade sari, a champagne-coloured veil that matched the sari’s zari and a shade of lipstick that was in step with my brown-skinned foundation. I liked how I looked. After reciting my vows, I walked the wedding march holding my partner’s suited elbows — feeling loved and accomplished.

    This moment had been 16 years in the making. After several (exhausting) dates, multiple relationships that went nowhere, unspeakable abuse and hours of therapy, I found my home in a Dalit man. He came into my life at a time when I had resigned myself to believing that love was too entangled in caste for it to be true.

    My mother — also a Dalit feminist in her own right — had anticipated this moment for quite some time. This was typical for an Indian Christian family, but there was also a different charge to this because I had lost my father 12 years ago in 2010. His departure meant that my wedding became her sole responsibility, and her lack of social capital would make the pursuit difficult. Unlike her peers, she had not coerced me into seeking an arranged marriage, and she pushed back against those who undermined my “worth in the marriage market”. She did her part to make me believe in “true love” and wished that I, too, would find someone who cherished me as my father cherished her. The wedding, thus, was her miracle; so much so that she wore flowers in her hair for the first time after my father’s passing. And to this day, she keeps reminiscing about the events that led up to our wedding, including the parai attam that kicked off our reception in Chennai.

    During my pursuit of this true love, I spent most of my twenties believing that “love conquered everything”. I was unaware of my perceptibility as a dark-hued Dalit woman and the implications that held for others around me as I started acting upon them. “It is a force unlike any other”, I had internalised and argued, a force that transcended religion, like in Bombay, or caste, like in Kaadhal, or class, like in Maid in Manhattan. And with every sour experience, I convinced myself that my partner was just one date away, one flight away or one swipe away.

    I watched the second season of Bridgerton with much glee. During one of her conversations with Anthony, Daphne describes love as this: “If you say she is the one in whose presence, you cannot properly think, or even breathe. If you say you feel that feeling…the one that makes it impossible for you to look away from them at any given moment.” The depiction she offers is certainly charming, endearing even. It is also no different from what popular culture has dictated about how desire feels — this apolitical romantic attraction based on preconceived notions of what a desirable body looks like. But it doesn’t consider how desire, in and by itself, could be a choice that is conditioned, however personal it may appear at first. And even though Bridgerton is not a show I look towards to give me an astute articulation of caste and racial hierarchy structures, what it does offer is fantasy. But, it does so without acknowledging that fantasies are often products of systemic forces.

    The question then becomes this: is it possible to feel desire when you haven’t already worked towards wanting to desire that person? Haven’t been conditioned into wanting to desire that person, socialised into desiring that person?

    A decade ago, I met a nadar Christian man on a matrimonial website. He told me it was “fine” that I was Dalit, “as long as I did not show it”. The extent of his bigotry and its egregiousness from that point unravelled quickly. Shortly after, he disclosed his belief that Hitler’s idea of Aryan supremacy made complete sense and, by extension, so did brahmin superiority — which drew upon the same logic of hierarchy and subjugation. The very next day he told me his family has insisted he marry into the caste. I continued to date him, and in that, I went through more emotional abuse that broke down my confidence in ways I could never heal from.

    When I think back upon all of it, it strikes me as painful dissonance. To say that I felt lonely as a Dalit woman navigating urban spaces in the face of an utter lack of relatable perspectives on desire, does not cover a modicum of the despondence I experienced because of the loneliness. On the one hand were savarna feminists, who were heralding a new world of sexual openness and exploration. They were pursuing supposedly edgy and aspirational writings about the orgasm gap, polyamory and casual sex. On the other hand, were the women in my family, who were harping on about the importance of morality and modest aesthetics. I became a living paradox: feeling pressured to explore intimacy in one moment because I was a “modern woman” and guilt-ridden in the next because I was flouting a hundred rules of respectability. While growing up, I was told that the most cardinal of all sins was sexual promiscuity. This instruction, however, did not just stem from our Christian beliefs but, rather, from a fear that we could get slut-shamed and the severity of the social consequences that would hold. The precarity of our lives and reputations could be threatened even by an unfounded rumour. Our only source of social capital — the Tamizh Christian community — could further ostracise us in addition to the discrimination they were already inflicting. The fear that I could be called “easy” and the reality that men of all castes interpreted my innocuous gestures as “slutty”, influenced most of my romantic and sexual decisions during my formative years, when I approached desire with trepidation.

    One of my first understandings of the kind of conservatism I was experiencing came through my friendships. Curious differences between our experiences, despite some outward similarities, baffled me. It is not like my savarna girlfriends did not have fear drilled into them too; they came from families that were conservative in their own ways. Yet, their worlds were starkly different from mine.

    Most of them identified as feminists and had the awareness to recognise abuse within intimate relationships, but they did not seem to understand how power differentials between partners — especially when one of them is a Dalit woman — intensified the potential for violence. They seemed unaware of the ecosystem that was enabling this harm and would tell me that I was too picky whenever I shared my stories of these disappointments. I felt let down by this lack of engagement, not to mention their disinterest in understanding the specificity of my situation and the stereotypes Dalit women have to confront.

    My experience with the nadar man, and the ones that came both before and after him, felt alien to my savarna friends. In one instance, in the aftermath of an abusive episode with an ex-boyfriend, I was cautioned to “be very sure before I broke up because there was no guarantee I would find someone again”. By not understanding the prejudice inherent to the situation, they distressed me further. I clearly knew what I was hearing was untrue, but thanks to my poor self-confidence, I was unable to openly question it. I remember freezing up as my friend said those words; one of my fears was being validated by someone I trust.

    Dr Tamalapakula, in her brilliant analysis of the conditions of Dalit women on Indian college campuses, explains:

    While the assertive mainstream feminist is respected, the assertive dalit woman is mostly condemned both by upper-castes and dalit male groups. The reason being the visible assertion of feminist students is understood to be the result of superiority of their caste/class and urban life […] where as the dalit middle class woman is expected to reject sexuality to fit the stereotyped image of a victim of caste based sexual violence.

    Regardless of how my savarna girlfriends exercised their sexual freedom (casual sex, sex with coupled men, queer experiments), they never seemed to run out of prospects for dating or marriage. If any of them failed to find a person through modern methods of courtship, their families were still able to find them a partner through arranged marriage; their “hoe phase”* not coming in the way of this. They effectively leveraged global discourses on sexual liberation to allow themselves comfortable choices.

    Women’s lifestyle magazines were worse; they published several first-person pieces about sexual experiences but never acknowledged intimate abuse, let alone delved into its intersections with caste — and the abuse that emerged in that place of intersection. Granted that the information ecosystem in my early twenties was markedly different from what it is today, but it also shows how decision-making structures were skewed back then. It is not surprising that the experiences of Dalit women — in romance, sex and desire — weren’t of interest to editorial teams, which were mostly dominated by savarna men and women. This explains why I did not receive the education to critically understand popular culture and the romantic lives of my savarna peers; it did not occur to me until my exes became explicit in their casteism, when the language to understand their contempt became urgent.

    Although my exposure to mainstream feminism, which manifested in the media I was consuming and through my friends, made me want to blame the women in my family for their “regressive positions”, I later understood why they were so austere when it came to sex and desire. They called themselves “no-nonsense” — a term that indicated a certain comportment; they hoped it would deter unwanted sexual advances. This decision —made both purposefully and subconsciously, to maintain and project a morally upright conduct — was crucial for their survival, especially amid the prevalence of caste-based sexual violence. They had to work extra hard to tackle the impunity with which this violence arose and to come across as “respectable women of value” because Indian societies, by default, ascribe value to individuals based on caste.

    In a piece I wrote in 2018, I mentioned that in Hinduism, the brahmin woman is deemed to be the most valuable amongst women — followed by the kshatriya, the vaishya and the shudra. No value is attached to the Dalit woman; she is regarded as one of the lowest of life forms — polluting and dirty, and on par with wild animals. I had begun investigating the intersection of caste and desire in my twenties, and I dug further into the roots of what is believed to legitimise violence and discrimination within Indian dating. The following verses from the Manusmriti illustrate further:

    [Chapter 8: 373] “A double fine should be imposed on a man who has already been convicted and is accused (again) within a year, and it should be just as much for cohabiting with a woman outlaw or a ‘Fierce’ Untouchable woman.”
    [Chapter 11: 176] “If a priest unknowingly has sex with ‘Fierce’ Untouchable women or very low-caste women, eats (their food) or accepts (gifts from them), he falls if knowingly, he becomes their equal.”
    [Chapter 12: 55] “A priest killer gets the womb of a dog, a pig, a donkey, a camel, a cow, a goat, a sheep, a wild animal, a bird, a ‘Fierce’ Un-touchable, or a ‘Tribal.’”

    Dr Roja Singh, whose work I read last year, in her book Spotted Goddesses: Dalit Women’s Agency-Narratives on Caste and Gender Violence, has commented on these verses:

    “In the Manusmriti, a Dalit woman will cause the downfall of a caste person as the reification of curse. The caste person who has intimate relations with her becomes “untouchable” because she pollutes their purity and destroys chances of salvation […S]he is the brute whether she is the victim or not, and her body as the curse becomes the premise of victimisation of which caste males need to beware. However, the Manusmriti does not state that the untouchable woman could gain redemption in sexual relations with a caste male embodying “purity” [.…] A Dalit woman is stagnant in her polluted state as “a curse” and “the cursed” as she cannot recess into anything worse or become anything better.”

    From the above, the distinctive forms of aversion and domination reserved for Dalit women become very clear. The Hindu texts are derogatory to all women, and the Manusmriti, in particular, has been influential in coding caste-wide misogyny into the Indian social system. But subject to the authority of brahmin men, brahmin women are still placed at the top of the pyramid of Indian womanhood, followed by kshatriya, vaishya, and shudra women — all of whom are under the authority of their caste men and those positioned above them. This placement gives them (savarna women) enough authority to hegemonically dictate what constitutes desire and who deserves to be desired.

    Dalit women, who are considered inferior and untouchable, are placed so far below in the pyramid, that they are subject to the authority of everyone above them, including the women that belong to the shudra and dvija* (twice-born) castes. Social media influencers of the Indian diaspora, who are reclaiming their desi feminist roots, must realise that Hinduism does not consider “women” as a homogenous category; instead, it prescribes clear distinctions along with power, labour and sexual discipline.

    Thus the caste system, or more appropriately brahminical patriarchy — “a set of rules and institutions in which caste and gender are linked, each shaping the other and where women are crucial in maintaining the boundaries between castes” — both victimises and benefits savarna women. Uma Chakravarthy in her seminal paper in Economic and Political Weekly, ‘Conceptualising Brahmanical Patriarchy in Early India’, explains that “women’s perpetuation of the caste system was achieved partly through their investment in a structure that rewarded them even as it subordinated them at the same time”. Consequently, their superior caste positions don’t just entitle savarna women with the social power to subjugate but also compel them to embody the characteristics of “ideal womanhood”, which include chastity, purity, modesty, fidelity, beauty and sanctity — all as imagined by the brahmanical mind.

    Over the ages, this “ideal” has undergone several transformations. Due to political, social and ideological interventions in the last century, whether it is demands for women’s education and property rights, the influence of Western media and feminist thought, and the participation of savarna women in nation-building processes — those mechanisms that sought to control the identity and sexual freedom of sarvana women have been disrupted. This shift has enabled them to redefine the very concept and expression of womanhood — from traditional to modern, from conservative to progressive. But these transitions, whether intentional or not, have been tactical, integrating newer feminist elements with older brahmanical notions. ‘An Ode To Modern Indian Woman and All That She Is…’, an article on Medium, puts it this way: “Today’s woman is progressive in thinking but still, has a deep-rooted respect for the Indian culture and traditions.” Priyanka Chopra Jonas reclaiming the mangalsutra – an accepted symbol of caste endogamy — while facing no threat to her status as a “modern feminist icon” is a case in point.

    Savarna feminism has thus been designed only to challenge patriarchy, not caste. It enables savarna women to exercise liberal politics, practise sexual freedom, exhibit desirable aesthetics, access global literacy and achieve economic success while keeping their caste power and privilege intact. Their feminism doesn’t threaten their caste location and, in many instances, is even emboldened by it. This is why the empowered savarna woman archetype, in its many versions, is considered aspirational and attractive by the Indian psyche, which has been socialised for centuries to see savarna as superior. It is all the more so in our current capitalist reality, where one’s caste can be leveraged and downplayed simultaneously, so as to create an entirely new but evolving identity — the globalised, modern Indian woman, who is savarna but cultured enough to keep her caste location subtle, international, woke* and learned. This collective accomplishment of savarna women, which becomes more layered with every generation, is possible only because of their caste power — one that they didn’t have to work for, one that was bestowed upon them at birth.

    In sharp contrast are Dalit and other caste-excluded women, whose existence is still conceived within stereotypes. Neither do they possess the caste power to access capital and resources nor can they meet the ever-changing cultural mandate for womanhood or wokeness, as defined by those with caste power.

    In the popular imagination, Dalit women are also perceived to be mere victims, as individuals that can’t exist outside of violence. Although violence is an inescapable reality for many Dalit women, especially for those who live in impoverished and unsafe conditions — the amplification of the victim stereotype not only engenders more violence but also normalises it. Within interpersonal contexts, particularly those that are romantic or sexual in nature, the victim stereotype translates into a power dynamic that has the potential to oppress Dalit women.

    But what exists in opposition to, and along with, this purported narrative of victimhood, is the general incredulousness around the crime when it takes place. At a panel discussion that I was part of a few years ago, a communist male leader brazenly opined that “Dalit women are too scary, we can’t touch them that easily.” No one in the audience seemed to have a problem with that statement; they welcomed it as fact. And yet, crime statistics say otherwise. The misconception that was disclosed in that panel has not in any way dissuaded perpetrators from inflicting heinous violence on Dalit women. But it has discouraged civil society members and lawmakers from taking caste-based sexual violence seriously. Assaulting “scary, tough” Dalit women is unfathomable to the minds that believe they are too unfeminine to be touched.

    Almost every love interest of mine has tried to correct my behaviour and nudge me towards adopting a more “ladylike” demeanour. Some have explicitly compared me to their savarna girlfriends or exes, saying that the latter were womanlier and more delicate, and, as a result, evoked intense feelings in them. On their part, television and cinema have reified this false feminine-unfeminine dichotomy between savarna and Dalit women and promoted the idea that femininity, as expressed by savarna women, is a key ingredient in heterosexual and heteronormative desire.

    By casting savarna women as the love interests of its protagonists, popular culture has also reinforced that they are the only ones worthy of love, lust and legitimacy. Even in the case of Dalit male protagonists, the person who becomes their love interest most of the time is a savarna woman (Sairat, Thalapathi, Kaadhal). Dalit women, if and when represented, are depicted as angry, loud and verbally abusive. Pa. Ranjith’s Kaala, a 2018 Tamizh film, is an interesting example, however. Selvi, Kaala’s wife, is cast as a loud-mouthed homemaker, and Zareena, Kaala’s ex-girlfriend, is cast as a sophisticated activist. While the stereotypes are kept intact, what I found refreshing was Kaala’s choosing to be with Selvi, the Dalit woman.

    A year ago, a friend shared one of her conversations with a savarna man, who had spoken at length about his sexual experiences. She recalled him saying that if he knew the woman he was having sex with was Dalit, he would be extra rough and do whatever he wanted, as against a savarna woman with whom he would be gentle. I wasn’t shocked by his revelation, but it triggered me all the same, taking me back to my own experiences of sexual exploitation and assault. Sometimes, there’s no hard evidence to illustrate how caste breaches intimate boundaries. It is felt in the predator’s touch, their careless tossing of one’s body, their indifference to pain and fear, and their gaze once it’s over — a mix of lust, disgust and conquest.

    It is with this knowledge, context and information that I want us to re-evaluate our contemporary understanding of inter-caste love, sex positivity, body politics and legitimacy. The recent slew of social media accounts run by savarna influencers, who have monopolised feminist narratives, with no awareness of how these interact with caste, is a case in point. For instance, in the aftermath of the 2020 Hathras rape and murder, in an effort to protest the gruesomeness of the act, a popular handle started a campaign that asked women to post tongue selfies. Other mainstream feminist handles also continued to create content around self-care, vagina appreciation and sex positions at this time. To Dalit women who witnessed this response, and were reeling with massive grief and anger, such campaigns are at best insensitive, indifferent at worst.

    Similarly, popular anti-caste discourses that do not take into account how societies undervalue Dalit and other caste-excluded women, are equally disempowering. Inter-caste unions, for example, aren’t always anti-caste; it is highly possible that one’s choice to partner with a savarna woman, who has traditionally been ascribed higher value, is motivated more by social conditioning. It cannot necessarily be read as a desire to annihilate caste. It is revolutionary love only when, as Dr B.R. Ambedkar says: “Make every man and woman free from the thraldom of the Shastras, cleanse their minds of the pernicious notions founded on the Shastras, and he or she will inter-dine and inter-marry, without your telling him or her to do so.”

    We need a Dalit feminist standpoint that uproots the entire infrastructure around which ideas of desire are being built. We need a feminism that interrogates caste as much as it does patriarchy.

    Dalit women should be able to express their desire to anyone, without feeling insecure about their desirability or having to measure themselves against a savarna ideal — a radical Dalit feminist framework of desire would enable that. They have a right to sexual pleasure, in the way they imagine it, with consent and without shame, which includes having adequate knowledge about safe sex, obtaining access to contraception, choosing or practicing a preferred sexual orientation, experimenting without the fear of moralistic judgments, and having the space to talk about sexual pleasure and more both within feminist and anti-caste circles. And they deserve to feel accepted and cherished in relationships, without being pressured to constantly prove their value or susceptible to abuse by virtue of their caste location. And they have a right to seek marital unions if they so decide, without being judged by the savarna gaze for making “unfeminist” choices. Constantly prioritising savarna women and perceiving them as the only ones worthy of desire will continue to disregard Dalit women and, ultimately, rob them of their right to love and be loved.

    We must rediscover Dalit love within our communities. Investing in each other is revolutionary, especially in the face of caste hatred. It is vital that we reimagine what sisterhood, community, parenting, friendship, solidarity and family means to us. In a world devoid of recognition, Dalit love will keep us secure, valued and rooted.

    Notes on Terminology:
    1. Savarna refers to individuals or groups belonging to the castes that are part of varna (caste) system. These include the brahmins, the kshtariyas, the vaishyas, and the shudras.
    2. Dvija means “twice-born”, which includes only the brahmins, the kshatriyas, and the vaishyas
    3. In this essay, “Dalit” refers to only those individuals and groups that were earlier known as the untouchables. Note that not all Dalits are officially classified as scheduled castes. This essay also does not claim to represent all Dalit women.
    4. In this essay, the term “caste-excluded” refers to avarna (outcastes) communities that were not historically recognised as being part of the varna (caste) system.
    5. The term “woke” refers to being aware of and taking a stand against social injustices. In the Indian/South Asian context, it is associated with progressive politics and could mean “anti-caste”, “feminist”, “leftist”, or a combination of all three.
    6. “Hoe-phase” typically refers to a time in a person’s life when they are said to be especially promiscuous.



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  • How AI is Transforming the Music Industry; All You Need to Know
– PHIATON

    How AI is Transforming the Music Industry; All You Need to Know – PHIATON

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    Artificial intelligence (AI) continues to have an impact on so many Industries.  Industry projections estimate that by 2025, AI marketing will hit the $60 billion mark. By 2030 the global GDP will increase by 15.7 trillion due to AI.

    The music industry is also jumping onto the AI bandwagon. We can expect it to influence all processes. Such include the creation, consumption, and marketing of music.

    Our article explores all you need to know about how AI is transforming the music industry. Let the drum roll begin.

    1. Growth Opportunities through AI Adoption 

    The dependence on human labor can make processes slow and time-consuming. The repetitive nature of some of the tasks can be tiresome and prone to human error. AI augments human capabilities resulting in higher efficiency and productivity. 

    Let’s take the example of music creation. AI can analyze data in different compositions. It reveals patterns and characteristics that give rise to good music. You can also combine different elements to come up with new compositions. Such processes can provide a lot of help to musicians and music producers. 

    You can find these on platforms like Magenta from Google and Flow Machines from Sony. The concern for many would be that AI could kill creativity. But, we are pretty confident that this will not be the case. 

    Rather it will enhance creativity while providing efficiency in the processes. AI technology can help with composition and music arrangement. But, the human role remains constant. The musician must give feedback, depending on their vision for the final output. 

    Amper is one such AI platform. The musician selects genre and music length. The AI takes over to make the music. The composer then makes relevant tweaks and edits. He can add or remove some instruments or vocals.

    AI is critical for music mastering that results in better quality tracks. The process can be costly. Many musicians find it a major stumbling block when it comes to releasing music. 

    AI technologies cut costs and the time it will take to complete the process. Software like LANDR can complete the task in minutes. 

    SoundCloud also has an online mastering tool that is popular amongst independent artists. The best part about the online mastering tools is you do not need to be tech-savvy to use them. 

    2. The Use of AI Data for Music Marketing 

    AI is opening up tons of potential for music marketers. It all depends on your free music marketing strategy. 

    You can use AI to: 

    • Determine audience engagement with the content through the use of data. The insights reveal the collections, free music downloads, play-per-payer, and follower behavior. Pattern tracking helps target audiences with the right content resulting in more revenue. 
    • Data filtering to convert non-paying listeners to paying ones. The insights from the filters help with designing outreach strategies. Markets can produce better content to increase audience engagement.
    • AI and machine learning make recommendations for music on YouTube or other platforms. It provides an opportunity to grow viewership while introducing new content to audiences. Unsupervised learning allows for deeper insights into viewership based on viewing patterns.
    • AI helps with the automation of marketing tools. Marketers can personalize content by learning the consumption behavior of audiences. Take the example of free music promotion sites like Spotify. The Platform uses machine-learning and big data insights to make music recommendations. Audiences get personalized playlists without the hassle of searching through tons of tracks. The AI-powered Spotify Discovery weekly provides a curated music list for every listener. 

    3. Good Music vs. Genre Music 

    What happens when you are choosing music by yourself? You have a leaning towards a particular genre. Within the genre, you also confine yourself to the artist you like. There is nothing wrong with that. 

    But, you could be missing out on other artists that you could enjoy. AI is opening up the listening experience like never before. The AI filtering engines go through thousands of tracks every single day. 

    They then pick out what you may like based on past listening behavior. With the filtering engines, it is not about a single genre. What you get is a broad mix of ‘good music’ that has different genres and artists. It provides an opportunity for undiscovered artists to make a mark in the industry. 

    Noise Cancelling technology provides an enhanced sound that makes listening to your songs the best experience, reducing distractions while tuned in to your favorite genre of music. The 900 Legacy Headphones digital hybrid active noise cancelling helps eliminate distractions providing 98% noise reduction by using both the outside (feed-forward) and the inside (feedback) microphones. The 24-bit depth/192 kHz sampling rate of digital noise filtering gives the 900 Legacy Headphones the most precise and accurate noise-cancelling performance.

    New Talent Discovery and Royalty Collections with AI

    Advanced analytics such as machine learning and predictive modeling helps with talent discovery. Warner Bros mines thousands of tracks from streaming sites like Soundcloud and Spotify. 

    They also do the same for music blogs, touring data, and social media sites. The AI technology uses algorithms to review streaming sites to find new talent. 

    The scouting platform, Instrumental, uses machine learning to look for potential talent. Amazon is also using AI to predict how popular books, films, or music will be in the future.

    The music industry also has a major challenge addressing the issue of compensation. Songwriters, composers, artists, and reps should earn royalties. But, it can be difficult to track consumption, especially in the digital landscape.

    Furthermore, the metadata that contains relevant information is not in one central location. AI can help overcome such challenges. Spotify AI audio detection tools give publishers and artists control over royalty payouts.

    Amuse, the indie distribution platform uses Advanced Analytics to predict and distribute royalties. Other tools like Muso AI and Musiio Tag help with metadata validation and royalty collections.

    YouTube utilizes AI to flag down copyright content. It ensures that no one benefits through illegal means. The same platform also automates ad monetization for higher efficiency.

    Final Thoughts

    Artificial intelligence is already making significant changes in the music industry. Listeners get music recommendations based on past listening behavior. Marketers have access to data-driven insights. Such can help with the targeting and personalization of content.

    Talent discovery, royalty payment and so much more are easy with AI-powered tools. Furthermore, there is higher efficiency, time-saving, and lower costs in the process. The future is bright for the music industry and AI. It will be an interesting space to watch.

     

    Recommended Reads:

    Things to Look for When Choosing Your Next Pair of Headphones

    New Headphone & Earphone Tech: Features to Look for in Your Next Pair

    What is Noise-Cancellation Technology?

     

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  • How Much Does It Cost to Put a Dog Down? – Dogster

    How Much Does It Cost to Put a Dog Down? – Dogster

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    Even when our pets live long and happy lives, it’s really never long enough. The decision to let a beloved pet go is never an easy one, but if your dog is suffering, putting your dog down is the most compassionate thing to do.

    What is euthanasia?

    The term “putting a dog down” is common but somewhat old-fashioned and impersonal. “Putting a dog to sleep” is also commonly used. Most veterinarians and pet parents prefer the term “euthanasia.” But all of these terms boil down to the same thing: to humanely end a pet’s life in order to stop or prevent unnecessary suffering due to an incurable medical condition or injury.

    How much does it cost to put a dog down?

    The cost of euthanasia varies depending on where you have the procedure done and where you live. Generally speaking, rates can start anywhere from between $50 to $150, but there are other factors to consider, such as the dog’s weight and the types of instruments used. Some vets combine all these factors into one package.

    Dr. Ernie Ward, an internationally recognized veterinarian and author of The Clean Pet Food Revolution, says he always believed in a single fee for euthanasia. Currently, my old clinics charge about $150 (in rural North Carolina), he says. The pets at his clinics are always sedated prior to the procedure and an IV catheter is placed to administer the euthanasia solution. Pet owners are encouraged to remain with the pet throughout the entire procedure.

    Does it cost more to euthanize my dog at home?

    Some pet parents opt to have the procedure done at their home, where the dog is surrounded by family and familiar sights and smells. This can cost anywhere from about $150 to upwards of $300. My sister recently had to have her beloved cat euthanized and opted to have the procedure done in her home in Los Angeles. She says the $350 procedure (and $285 cremation) was definitely worth it.

    If the expense is an issue, approach veterinary service companies, charities and local veterinarians to see if they can provide euthanasia at a discount. It never hurts to ask!

    Many animal shelters also offer euthanasia services. Pricing can be as low as $50 to $75 for basic euthanasia.

    Should I bury or cremate my dog?

    Burial is the most expensive option, which can run from about $200 to $2,000. Costs include the burial plot, casket, headstone, etc.

    Dog cremation is the most popular, and less expensive, option. There are two types:

    1. Communal cremation: In this process, multiple animals are cremated at one time, which means you can’t keep your dog’s ashes. This option is the least expensive, running about $30 to $70.
    2. Private cremation: In this method, your dog is cremated alone, and the ashes are returned to you to keep as a remembrance. Prices can run anywhere from $175 to $250. Dr. Ward uses an outside cremation service provider for those who want it. The pet cremation service charges $175 to $285 based on the size of the pet.

    There’s no way around it – choosing to end your beloved dog’s life is a hard choice, but it’s also a compassionate one when your dog is suffering and in pain. Being prepared, discussing your options and knowing the costs will help when the time comes to make this difficult decision.

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  • Red Hot Farmhouse Style Kitchen Concepts

    Red Hot Farmhouse Style Kitchen Concepts

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    Farmhouse style kitchen concepts are in high-demand. The kitchen designs include cottage, vintage, rustic, and traditional. If you’re planning a kitchen remodel and want something different, consider a farmhouse layout.

    Farmhouse Style KitchenView in gallery

    The kitchen is the center of your home. According to a 2016 report from the United States Department of Agriculture Economic Research Service,

    “it takes time to shop for groceries, cook meals, eat and drink, and then clean up. On average, Americans 18 and older spent just over two hours per day on these major food-related activities in 2016.”

    With this in mind, you’ll want to choose a farmhouse kitchen renovation project that’s right for your home.

    If you’re new to farmhouse concepts, you’ll like the examples offered here. And if you already know about kitchen farmhouse design, you’ll find this list to be a fresh source of inspiration. 

    Farmhouse Kitchen Designs For 2022

    The following farmhouse kitchen designs were handpicked by our team of home experts. Each one showcases the latest advances in farmhouse kitchen design and decor.

    Seasonal Flower Arrangements

    LA Loft Kitchen DesignView in gallery

    Seasonal floral arrangements complement any farmhouse kitchen renovation project. With a large copper pot as a vase, a rustic look is achieved. 

    Open Shelving

    Farmhouse kitchen style with open shelvesView in gallery

    Open shelving is a common feature among farmhouse kitchen designs. The shelves offer easy access to the items you often use. You can also use the shelves to display unique decor items or old photos. 

    Hardwood Floors

    Hardwood floor kitchen styleView in gallery

    Hardwood floors are synonymous with farmhouse kitchens. It’s as if there’s an unwritten design rule that mandates if you want a farmhouse kitchen, you must have wood flooring. Hardwood floors help capture a farmhouse and country vibe.

    Exposed Beams

    Beautiful Kitchen with Exposed Roof BeamsView in gallery

    In farmhouse kitchens, ceiling beams should be exposed, not hidden. don’t hide any ceiling beams you may have in your house. 

    Antique Clock

    Vintage kitchen clock on shelvesView in gallery

    Antique decor is necessary for a farmhouse kitchen design. You can find vintage clocks at flea markets and garage sales for reasonable prices.

    Whether on the wall or hanging out on the hutch or open shelves, clocks in the kitchen are a common-sense necessity, but in a farmhouse-inspired space go with one that has a vintage or antique spirit.  (thewoodgraincottage).

    Large Table

    Large Kitchen island for farmhouse styleView in gallery

    To go along with your farmhouse kitchen you’ll need a farmhouse-styled dining table. Pack the family in, and made of wood, you can easily personalize it with a beautiful scape atop. {kitchenlabdesign}.

    Stove Range

    Old fashion range for kitchenView in gallery

    An old-fashioned range will help transform your kitchen into a specialized version of a farmhouse escape. It adds the illusion of an old-age room without its modern looks and contemporary tradition.

    Farmhouse Sink

    Farmhouse Sink StyleView in gallery

    Here is an example of a single bowl sink. One rule to follow with these sinks is how they need to be large enough for your dishpans and cooking ware.

    You’ll also need room on the side to dry the dishes. The sink design is also known as an apron-front sink and fits well with a kitchen farmhouse vibe.

    Cream Cabinets

    Cream cabinets paintView in gallery

    Cream or white cabinets are preferred for farmhouse kitchen designs. This will contrast well with the wood you’ll have around the room and open up the space with ease. You’ll need to balance the dark, natural materials throughout.

    Butcher Blocks

    Kitchen ButcherblockView in gallery

    When choosing countertops, try butcher blocks. The style adds to the natural feeling you’ll be creating but they’re also super functional and great for those that spend a lot of time in the kitchen.

    Mason Jars

    Mason jars add a farmhouse touch to the kitchenView in gallery

    These are a bit obvious but you’ll be surprised how much you can truly utilize these bits once you start decorating and organizing. Because you can both decorate and organize them – from centerpieces to sugar separating.

    Kitchen Island Stools

    Wood modern stools for kitchenView in gallery

    Wooden stools for your family and guest will turn your farmhouse kitchen into a vibrant space. They’ll come in handy at the breakfast bar or a large island you may have as well. (devolkitchens).

    Apron Rack

    Apron RackView in gallery

    Another way to add some vintage, farmhouse flair to the room is to add an apron rack. Then, of course, you’ll have to add some adorable and charming aprons to the piece, creating a stylish and fully evolved design.{found on stonegableblog}.

    Wood Walls

    Wood Walls in the kitchenView in gallery

    If you have the space, create an accent wall with wood. Or, if the walls are already wooden, think about painting them cream to utilize the texture but open up the kitchen even more.

    Pot Racks

    Pot RacksView in gallery

    Another way to create that raw edge that we’re use to seeing with farmhouse style is to hang up the pots and pans for all to see. Just add a hanging rack above the kitchen island or breakfast bar.

    Jade Greens

    Jade GreensView in gallery

    If you’re looking to add a bit of color, go with natural tones. Jade green will create a fresh, lively feeling while not becoming too overwhelming or breaking from the vision in mind.

    Free-Standing Buffet

    Free standing buffetView in gallery

    Feed furniture will give your farmhouse kitchen added texture and depth. From free-standing buffets to hutches, this is a great way to personalize and look as if you’ve taken from the past.

    Wooden Utensils

    Wooden dipped spoonsView in gallery

    Mix up your color palette with accent decor items. They’ll help transform the style while they’re sitting on the countertops. Just make sure you learn how to clean them correctly.

    White Dishes

    White dishes are a must have for kitchenView in gallery

    You don’t need colorful dishes as they won’t blend in with your farmhouse kitchen decor. Instead go with simple creams and whites – the upside to this is how much more beautiful your food will look when served.

    Hutch Storage

    A hutchView in gallery

    An old-fashioned hutch in the corner would become a focal point of your farmhouse kitchen. Use it as cabinet space or stack your white dishes inside for easy access during family dinners.

    Beadboard

    Beadboard in kitchenView in gallery

    Beadboards add style to a farmhouse foundation. They’re in the same family as backsplash and shoots for the same goal in terms of adding texture – but in this instance adding that cozy, throwback fashion.

    Farmhouse Kitchen Island

    Islands are practically essential for every kitchenView in gallery

    Farmhouse kitchen design was made for kitchen islands. If you have the space, take advantage of it and install an island. The key is to avoid a sleek and modern look and try a shabby vibe with wooden accents.

    White Cabinetry

    Natural light for kitchenView in gallery

    The white cabinetry and cream color drawers make the farmhouse kitchen appear bigger than it is. Take advantage of natural light sources or a white backsplash to achieve a contemporary feel. 

    Antique Pyrex

    Antique PyrexView in gallery

    If can find antique pyrex, then get it. From decorating the open shelves to using your favorite bowl as a mixing dish, these add to the ethos.

    Brick Accents

    Brick accents for kitchenView in gallery

    Brick is common in farmhouse kitchens. Natural elements like wooden accents will help create a farmhouse style kitchen. Accent walls, trim and more; depending on your preference this works too.

    Wire Baskets

    Wire basketsView in gallery

    Wire baskets reduce clutter. They’re great for holding items you need quick access to or use often. Small baskets on countertops, big ones on the floor; this is an ideal way to personalize your farmhouse kitchen.

    Pallet Art

    Pallet art backsplashView in gallery

    Create DIY art and hang it above your cabinets or on the walls. There are  many ways you can enhance your farmhouse kitchen. The key here is to again, utilize the natural textures and personality of the wood. {thecountrychiccottage}.

    Lace Additions

    Lace additionView in gallery

    Curtains and tablecloths add rustic charm to your kitchen linens. Lace is known for having a bit of a vintage vibe and it’s just another minor detail that helps in the fun and transformation of it all.

    Wispy Windows

    Farmhouse kitchen window treatmentsView in gallery

    Make sure you don’t use colors or fabrics that are too heavy or dark. Remember, you want as much much natural light as possible. {talkofthehouse}.

    Chatty Signs

    Farmhouse kitchen wall artView in gallery

    Create signs with inspirational message on them. The signs will enhance the theme you’re envisioning and add accents in more bare places. {knickoftime}.

    Water Pitchers

    Farmhouse PitchersView in gallery

    Pitchers are another accent that can be used for style and functionality. Have your favorites inside the hutch or ready-to-use on the island. Here is a spot that you can add a dash of color.  (stonegableblog).

    Farmhouse Flair

    Food ScaleView in gallery

    An antique food scale is a farmhouse kitchen decor item or a necessary tool. The vintage looks add flavor to your design, and you can also use it.

    White Ironstone

    White ironstoneView in gallery

    White ironstone pieces add rustic charm. The open shelving in this example provides a platform for you to display personal decor or give yourself easy access to the things you use daily. 

    Rustic Style

    Stoneware crocksView in gallery

    Wood cooking utensils and cream color stoneware crocks will complement your modern farmhouse design. Even better, mix and match the bunch inside your hutch for a delightful celebration of this entire style.

    Powder Blue

    Powder blueView in gallery

    Powder blue offers rustic country charm. It’s an earthy and natural shade that won’t attract too much attention. The hue works well with farmhouse textures and organic decor.

    Pendant Lights

    Clear glass pendant lightsView in gallery

    Pendant lights above an island or breakfast bar offer a classic touch. A country kitchen looks complete with copper pendant lighting. You could also try a French country chandelier for a softer look.

    Plate Racks

    Plate racksView in gallery

    Display your favorite plates by adding a plate rack. You can add it to the kitchen island in the middle or right onto the wall. Again, this is very vintage in style and adds to the simple, farmhouse feel but with a girlish infusion. (roomsforrentblog).

    Glass Canisters

    Glass Jars StorageView in gallery

    Mason jars will help declutter your farmhouse kitchen. Glass containers provide vintage antiquity, but are also good for displaying rustic decor and storage. (roomsforrentblog).

    Soapstone Countertops

    Soapstone countertopView in gallery

    If you don’t want to cover your entire kitchen in butcher block or wooden counters, then soapstone is a great alternative. There are many benefits and even more so, it blends in with the farmhouse style.

    Farmhouse Kitchen Fireplace

    Farmhouse kitchen fireplaceView in gallery

    Not everyone is or can be lucky enough to enjoy a fireplace in their kitchen space, but if you’ve got it, then utilize it! Add texture – like brick – to its frame and blend it into the style of the room.

    Frequently Asked Questions (FAQ)FAQ

    What Are The Benefits Of A Continuous Counter?

    Counters without level breaks reduce workload responsibilities. Leveled counters allow you to slide dishes from one area to the next instead of lifting them. Plus, the kitchen counter style is easier to clean.

    What Is A Back Stick?

    A large log placed at the back of a fire inside a chimney is how this was used in the early 20th century. When farmhouse kitchens relied on fireplaces to cook food, a back stack was used to make sure the fire would remain lit.

    What Are The Main Parts Of A Cabinet?

    First, there’s the basic box, known as the case. Cases are face frame or frameless cabinets. Next, horizontal rails and vertical styles will cover the exposed case edges, adding to the cabinet’s strength. And finally, cabinet doors are either set into the frame or overlaid. Today, frameless cabinets can look like traditional farmhouse designs featuring rustic panels and special molding.

    What Are Shop Built Cabinets?

    Shop built cabinets are for larger kitchens and can fit specific designs. The cabinets take longer to build than manufactured cabinets, sometimes five months, and the cabinet maker will install them. Don’t forget to check a cabinetmaker’s references before making your order.

    What Is An Octagonal In Farmhouse Kitchen Design?

    A four-sided dining area with four windows. The space is named after the word “octagon,” an eight-sided shape, but in farmhouse kitchens, it refers to a four-sided area. The space has a coved ceiling. Natural perimeter lighting is provided by four windows. 

    Farmhouse Style Kitchen Conclusion

    Your farmhouse kitchen design will set the tone for your home. If you want your kitchen to be a quiet room for cooking or reading, then make the necessary adjustments. Designate your living as a space for conversation and entertainment.

    A farmhouse kitchen remodel will require you follow three principles. First, decide on the activities that will happen in the space.

    Determine if your kitchen space will include a dining area. Next, eliminate unnecessary work connected to those activities.

    Do not create a space that isn’t conducive to your planned environment. And last, create the best conditions for the work you want to perform.

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