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  • Cloud Kitchens: Rehan Mehta, East 7th Pizza & Deli

    Cloud Kitchens: Rehan Mehta, East 7th Pizza & Deli

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    Wine & Dine


    Text and Photography by Mallika Chandra.

    Rehan Mehta, 31
    East 7th Pizza & Deli
    Location: Colaba
    Speciality: Pizzas, sandwiches, burgers, puddings

    Rehan, tell me about your journey as a chef.
    The first time I went to cooking school was after I finished my schooling in Mumbai. I had taken a gap year in 2010 and I did a three-month course at Le Cordon Bleu London. That experience actually made me not want to become a chef so I went to a liberal arts college in the US, where I graduated in psychology.

    In my third year at college, I happened to watch a video of Anthony Bourdain (the late celebrity chef and travel documentarian) and David Chang (restaurateur and television personality) eating at one of Chang’s New York restaurants. That made me want to go back to cooking. In fact, I felt like I just could not do anything else! I enrolled in the cooking school David Chang had been to, which was the French Culinary Institute in New York. I had discovered a course that would allow me to take six months off from college, come back and still graduate on time. I loved it there.

    The way it worked in America at the time was that I had three months to find a job after graduation. So I applied to a bunch of places. Finally, via Craigslist, I got a job as a pastry cook at Momofuku Milk Bar in New York (now called Milk Bar), even though it wasn’t what I had specifically trained in. I was making cookies, cakes and bread and I still think it’s the best job I’ve ever had. Unfortunately, I had to leave after a year because they were unable to sponsor my work visa.

    When I returned to Mumbai in 2015, I was given a job in the pastry department wherever I applied because of my experience at Momofuku Milk Bar. My first job was in Colaba at the modern-American restaurant Ellipsis (now shut), headed by Chef Kelvin Cheung. Chef Kelvin was a Milk Bar fan so he was keen to have me onboard. Unfortunately, he left the restaurant six months after I joined.

    Then, in September 2016, I joined Masque in Mahalaxmi in Mumbai. Chef Prateek Sadhu and co-owner Aditi Dugar got in touch with me while the restaurant was still under construction. Even on my first visit, I could tell the kitchen and the space were going to be special. The first year of Masque was really interesting but we were struggling to figure out our style or what could make it unique. Eventually, Chef Prateek started digging deeper into his own Kashmiri roots, and that’s when it really took off. It made more sense because it was personal and culturally relevant rather than just trying to be like many other Scandinavian-inspired tasting menu restaurants. What I enjoyed most from my time there was the fact that the chefs would serve all the dishes and got to interact with the customers, who were usually passionate about food, and that made it fun. We also had a lot of freedom to work on new dishes which kept things interesting.

    Later, I grew disillusioned with fine dining. I was keen on starting something that could feed a lot more people. I thought about opening a sandwich shop. I did a few pop-ups and started looking for locations but nothing worked out. At the same time, I heard about the legendary chef Rahul Akerkar opening a new restaurant (Qualia) and I applied for a position in the hot kitchen. I was responsible for the pasta section, which was amazing because I like working with dough and the pasta became really popular.

    What led you to start a cloud kitchen and how did you intend to stand out?
    Soon after I left Qualia, the pandemic struck, which rekindled the idea of a sandwich shop since people were hungry for well-executed comfort food. There wasn’t really a Western-inspired sandwich culture in Mumbai at the time but because people got into baking bread during the lockdown, a sandwich culture was bound to follow.

    My original sandwich shop idea evolved to include pizza. My thinking was that pizza and sandwiches go hand in hand. I had eaten a lot of great pizza during my time in New York, which got me obsessed — and during the pandemic I started fooling around with it, making it at home for my family. It was a no-brainer to start as a cloud kitchen at the time because if there had been another lockdown, you would be stuck paying rent for a restaurant without anyone coming in there. I found a place in Colaba in December 2021.

    How did you go about setting up your operations? What did you bring in from past experience?
    It took me three months to set up the place. I was very finicky about the kitchen being a certain way. I had to find the right oven. I knew I didn’t want a wood-fired oven, I wanted an electric one. In New York, most of my favourite pizza places used electric ovens. Wood fire is very charming, but I don’t think it adds much in terms of taste. I feel like if you have the right electric oven, the pizza can taste just as good and it’s a lot more consistent, which is important. When you’re trying to churn the pizzas out really fast and have 10 to 15 orders at a time, that wood-fired oven is going to be a pain and maybe a few are not going to be as good as the rest because it’s so hard to maintain and control the heat, unlike electric ovens.

    Having mulled over the idea of the sandwich and pizza shop for so long, what has the menu development process been like?
    When I started working on the recipes, I thought it would take maybe a few weeks or a month, but it took me five months just to figure out a pizza dough that I was happy with. I did almost a hundred trials. I was just making pizza every day and trying to figure it out. I never imagined how complicated it could be, given that it is just four ingredients that you’re working with. But, the way you mix those ingredients, the proportions, how much water you add, which flour you use, how long you ferment it — all these needed to be figured out. Finally, I settled on a dough after trial number 96. I wanted to simplify the dough process because it’s important for my team to be able to execute it as well as I would. That is why I ruled out a sourdough pizza dough because it has too much margin for error. Now, we’re on pizza dough trial number 103. The pizza dough recipe is still called a trial, even though we’ve been open for a year. And we keep making adjustments in line with changes in the weather to get that perfect light and airy yet crispy pizza crust.

    Next came the sandwich bread. We were outsourcing the bread initially but the numbers didn’t work out. It was easier to settle on a recipe, but it still took several trials. We use a Vietnamese Bánh mì-style baguette. Compared to a French baguette, it has a very thin crust and a fluffy interior. The sandwiches got a lot better after we started making our own bread.

    The one thing I knew I had to figure out was dessert. Most pizza places serve dough balls with Nutella and stuff like that. But I wanted something lighter. I thought an American-style pudding would fit the bill. Our lemon cheesecake and chocolate puddings do really well. We had a strawberries-and-cream pudding and one with mango, which were seasonal and really popular. We’re using fancy vanilla beans, but besides that they are mainly fruity, creamy and crunchy.

    You put out a job opening on Instagram sometime back and it communicated a lot about the work culture you are trying to both desist from and build. Was that intentional?
    Most restaurants I have worked at, the hours have been very long, which has been the benchmark in this industry for ages. But I knew I didn’t want to do that. If I was doing that and we were successful and making money, I would have still considered it a failure because an overworked team is not a sign of success. To me, it makes financial sense as well. If you push people so hard, they’re just going to get burnt out and leave in a few weeks or months, or a year. I would rather have people stick around for the long haul, be happy, go home and not think about work.

    That’s why, in that hiring post, I was explicit that our shift lasts 10 hours only. In reality, it’s only 9 hours, but I have accounted for some extra time should we occasionally need it. Now, after running this place for a year and seeing how difficult it is to actually make money, I see why other restaurateurs demand such long hours from their teams. If restaurant sales are not reaching their target, the management somehow feels that making people work longer hours will boost sales. However, while sales might increase in the short term, if targets are not met, it’s more likely that there is a problem with the product or experience.

    Were you also intending to give your customers an insight into what kind of cloud kitchen it is and the kind of people that are making the food?
    That’s not why I posted it and I didn’t think about it at the time. I was just trying to hire a good candidate. But, of course, if I were to see a business posting something like this, I would be more likely to try the food and would try to order often. Our restaurant industry doesn’t have the best reputation. So, anyone who knows anything about what goes on behind the scenes would be happy for things to change for the better.

    Who is your typical customer?
    Unfortunately, most of our orders come from Swiggy and they don’t share customer data. It is safe to guess that most of the people ordering from us are kind of like pizza nerds, which seems to be every third person nowadays. Most of our food is New York-influenced. Those who’ve never had this kind of food are keen to try it. And those who have been to New York or Philadelphia and have had a cheesesteak sandwich, for example, will also want to relive that experience.

    I have also intentionally not marketed East 7th Pizza & Deli a lot because I’m still tweaking things. I feel like it’s always a work in progress and I’m kind of a perfectionist; and I say that in the worst possible way. I’ll keep procrastinating with the marketing because I think maybe pizza dough trial 104 or 105 will be the perfect one and then we can really push our marketing. Currently, marketing has mainly been through word of mouth.

    Is that also a result of the name East 7th Pizza & Deli? Your official company name is also interesting.
    You could say that. Our official company name is Very Casual Foods. I came up with that name after leaving Masque because I was just so bored with fine dining. It is funny to say that now, since Masque is one of the best restaurants in India. I see myself sticking with fast casual or casual restaurants with thoughtfully executed and ingredient-driven food.

    The name East 7th was inspired by the street I lived on in New York. While I was in cooking school, I lived on East 7th Street between 1st Avenue and Avenue A, which is in the East Village. And that one street had so much good food! You could walk down the street in 90 seconds but it had a lot of great tiny establishments. And each of them specialised in just one or two things. There was Luke’s Lobster, which made just seafood sandwiches. There was a Venezuelan arepas place. The building I lived in had an Italian sandwich shop called Porchetta, which just made a roast pork sandwich. Across the street was this soft-serve place called Big Gay Ice Cream, which sold really funky soft serve. And then there was a Chinese teahouse where I would sit and drink tea. That street really inspired me.

    How would you describe what a deli is?
    In the New York sense, it is your local sandwich place where you pick lunch up on a work day but it also could be where you go to get basic groceries, maybe even some baked goods, without having to make a trip to the supermarket. Within that, there are the bodega-style delis, where the sandwiches are made simply, using just packaged ingredients. Then there are the old-school delis, which make everything from scratch, like Katz’s Deli, which is famous for pastrami. Russ & Daughters is really well-known for their smoked fish. The deli culture came from the Jewish population of New York. But now it has become a trend that has spread across the world.

    How do you build trust as a cloud kitchen?
    I’m very particular about keeping the kitchen super clean, and also about making sure that ingredients are at their prime. That sense of hygiene was ingrained in me thanks to all my previous work places. Obviously, our food safety laws are not as strict or as strictly enforced over here in India, as compared to New York, but I enforce those same standards anyway.

    How has juggling the roles of chef and business owner been for you?
    I wish I could just cook and focus on the food because it would be so much easier. Half my time is spent managing people, even though I only have a team of nine. Just trying to keep them all on track and training them keeps me significantly occupied.

    I’m terrible at marketing. So that’s another thing that I wish I would just not have to do. I keep hoping that if my food is good enough, I won’t have to do any marketing and people will just come anyway. And that’s obviously the dream. In New York, if you have an amazing restaurant, even if it’s a tiny one, the word is going to spread so fast that you’ll have queues down the road. But over here, I don’t think that’s possible because we are offering a niche product. Having said that, I’m not necessarily trying to reach a wide audience. I’m just trying to find the right people who want something delicious that’s made with care, attention and good ingredients.

    What ended up being easier than you thought?
    I don’t think anything has been easier than I thought. Most things have been harder than I thought. However, when someone tries your food, especially if it’s a stranger, and tells you that they loved it, you feel good and you feel like it’s all been worth it.

    What is the perfect order from East 7th Pizza & Deli?
    Our menu is not very long because I want every item to be super delicious. A Ray’s Cheese Pizza, our version of a margherita with extra buffalo mozzarella and parmesan cheese; a Pork Belly Bánh mì, which is meaty and spicy; and a lemon cheesecake pudding!

    Previous: Kunal Makhija, Arabisque
    Next: Kartikeya Ratan and Rishabh Doshi, Kiki & Pastor



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  • Cho Thompson unearths Boston building’s history to inform office interiors

    Cho Thompson unearths Boston building’s history to inform office interiors

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    US studio Atelier Cho Thompson has redesigned the shared spaces for an office building in Boston, borrowing shapes and materials from its history for new interior elements.

    The project involved reimagining the communal areas at 179 Lincoln Street, a full-block building in the city’s Leather District that was constructed as a shoe factory in 1899.

    Lobby with brass-topped counter and arched wall niches
    Arched motifs on the facade of 179 Lincoln Street were reinterpreted as grooves in the lobby’s plaster walls

    Atelier Cho Thompson looked to this history to guide the design of areas at the margins of the building, including the under-utilized lobby space, a dark central core, and empty pocket spaces on each of five floors – all totalling 8,000 square feet (743 square metres).

    “We unearthed and amplified the building’s rich history while creating a space that is responsive to the needs of the post-pandemic workplace,” said studio founder Cho Thompson.

    Bench with finger-shaped leather backrests
    Finger-shaped backrests for a bench are wrapped in leather to nod to the building’s shoe-making past

    Work began with removing the layers of previous renovations, including vinyl tile and commercial carpet, which had left areas “dark and generic”.

    The team uncovered original terrazzo floors in some areas and worked with experts to restore any sections that were damaged.

    Marble-topped counter with rounded white oak front
    Arches are also hewn into the white oak counter front in the reception

    They also looked to the arched geometry and detailed ornamentation of the building’s historic facade for interior design cues.

    The arches are repeated in the lobby as grooved patterns across the hand-troweled plaster walls, and again at a smaller scale around the white oak front of the marble-topped reception counter.

    Detail of brass railing with fritted glass partitions
    Brass details including handrails match the building’s original mail chute

    “With a modern sensibility, we developed a language of detail that brought elements of the exterior into the building’s core,” Thompson said.

    “In that transformation, we brought a playful spirit, bringing massive forms down to human size and creating juxtapositions of materials, patterns, and scales.”

    Brass counter surrounded by tall brick walls beneath a skylight
    In other communal areas, original red brick walls and terrazzo floors are exposed

    Shiny black floors contrast the pale colour palette used across all other surfaces, while brass – chosen to match the building’s mail chute – provides a bright accent on railings, drawer handles and other details.

    Lighting fixtures by Lam Partners comprise globe-shaped components attached to thin brass supports, in a variety of linear configurations.

    Brass counter with linear chandelier above
    Multiple counters are provided for group work and conversations between colleagues

    In other “in-between” communal areas, red brick walls and columns are exposed beneath skylights.

    A series of brass-topped counters are scattered through these spaces, creating spots for casual conversation between colleagues.

    Banquettes and benches also provide opportunities for group and collaborative work outside of typical meeting rooms.

    These are upholstered in dusty pink leather as a nod to the building’s shoe-making past.

    Counter area with bench and cafe seating behind
    These casual meeting spaces are designed to respond to the changing needs of office workers

    “This project responds to the changing landscape of office life by offering opportunities that go beyond what we can experience in only working from home,” said Thompson.

    “With a hospitality approach, the spaces of the project offer a fresh, welcoming, and inclusive place to spend time with colleagues.”

    Polished brass signage denoting building levels 1-5
    Polished brass is also used for signage and wayfinding. Photo by Samara Vise

    Reimagining historic buildings as contemporary workplaces is a common challenge for architects and designers, and refreshing communal or public-facing spaces is typically an impactful place to start.

    Similarly, GRT Architects overhauled the entrance to the art deco Fashion Tower in New York, restoring its facade and modernising the lobby.

    The photography is by Jared Kuzia, unless stated otherwise.


    Project credits:

    Client: EQ Office
    Architect: Atelier Cho Thompson
    Lighting designer: Lam Partners

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  • List of Non-Tesla Electric Cars That Will Support Superchargers Soon

    List of Non-Tesla Electric Cars That Will Support Superchargers Soon

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    • More automakers are switching to Tesla’s charging tech to offer that to their buyers.
    • After all, Tesla’s charging technology and Supercharger network is a huge advantage.
    • Here’s what non-Tesla drivers need to know about charging at a Tesla station.

    A lot has hit the news cycle in recent months with regard to electric car drivers and where they can and can’t plug in. The key factor in all of that? Whether automakers switched to Tesla’s charging standard.

    More car companies are shifting to Tesla’s charging tech in the hopes of boosting their customers’ confidence in going electric. 

    Here’s what it boils down to:

    If you currently drive a Tesla, you can keep charging at Tesla charging locations, which use the company’s North American Charging Standard (NACS), which has long served it well. The chargers are thinner, more lightweight and easier to wrangle than other brands. 

    If you currently drive a non-Tesla EV, you have to charge at a non-Tesla charging station like that of Electrify America or EVgo — which use the Combined Charging System (CCS) — unless you stumble upon a Tesla charger already equipped with a Magic Dock adapter. For years, CCS tech dominated EVs from everyone but Tesla. 

    Starting next year, if you drive a non-Tesla EV (from the automakers that have announced they’ll make the switch), you’ll be able to charge at 12,000 Supercharger locations with an adapter. That’s not all Superchargers — some (the original and V2 chargers) are not compatible with CCS, but the V3 chargers are. But by 2025, EVs from several automakers won’t even need an adaptor. Non-Tesla stations will increasingly incorporate NACS in addition to CCS.

    Here’s how to charge up, depending on which EV you have: 

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  • Cloud Kitchens: Kartikeya Ratan and Rishabh Doshi, Kiki & Pastor

    Cloud Kitchens: Kartikeya Ratan and Rishabh Doshi, Kiki & Pastor

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    Wine & Dine


    Text and Photography by Mallika Chandra.

    Kartikeya Ratan, 32 and Rishabh Doshi, 32
    Kiki & Pastor
    Location: Bandra
    Speciality: Mexican

    Kartikeya, tell me about your beginnings as a chef and how you co-founded Kiki & Pastor.
    Kartikeya Ratan (KR): For the last decade or so, I’ve worked at a number of fine dining restaurants in India and abroad. And I increasingly felt that I wanted to cook more soul food, comfort food — food that actually satiates. When I returned to Mumbai from Delhi in 2019, I felt like the pandemic had taken a big toll on the nightlife of the city. There wasn’t any place where you could just hang out and not have to sit down and dine in. A taqueria was a great way of bringing that vibe in. But given the circumstances of COVID-19, things were very uncertain around 2020-2021, and yet Rishabh and I kept discussing how we could do it on a small scale.

    While I was home during the lockdown, I started selling taco kits and there was a good response. But I wasn’t happy as a chef although the product was doing fine. I wanted more control. So now, we no longer send customers the ingredients and ask them to assemble it. We build your taco and deliver it to you. We are also big on catering because tacos are a lot like chaat, right? You want to eat them fresh. And yet, the deliveries work because we have a good radius, being in Bandra.

    A lot has been spoken and written about how Mexican food just doesn’t do well in Mumbai. Do you think there’s something in particular that is working for you?
    KR: I think one thing we realised pretty early on was that there’s no substituting good ingredients. Working in fine dining taught me that no dish can be greater than the ingredients used in it. And I think that with Mexican food, that is very true. You can’t just make a mole (sauce) out of a Bhavnagri chilli, for instance. Sometimes, sourcing a good, dried chilli from Mexico is crucial. Freshness also plays a huge role in components that are almost served raw, as is the case with most of our salsas and marinades. So freshness takes precedence over everything else and the quality of ingredients can never be compromised.

    How have you tried to elevate or differentiate your food from what is available in the city?
    KR: A lot of people ask us for Indianised versions of things because that’s what they’ve grown up eating. You may have seen corn queso balls on our menu, but they won’t taste like the ones available at New Yorker in Mumbai, for instance. In no way are we saying that we are better or dissing an experience that we too have grown up eating. But we are offering a new experience when it comes to eating Mexican food. There’s more to Mexican food than just putting cheddar sauce over everything.

    Tell us how you are able to deliver the food as fresh as possible.
    KR: Delivery is a difficult format. Especially during the monsoons, it becomes tough for a rider to get your food to you in perfect condition. But people still expect to get piping-hot food; fresh food shouldn’t get soggy, hard or dry. One of the things we do is that we add either a layer of chilmole or a jam that we make with salsa verde between the meat and the tortilla so that the juices from the meat don’t make the tortillas soggy. We also do a double tortilla so that even if the first tortilla gets soggy, you can just slap the second one over it.

    Rishabh Doshi (RD): Basically, proportions matter. So, if you sauce it up too much or too little, it’ll change your whole experience of the taco.

    KR: Absolutely. When we hire a new chef, we can taste the difference between them and someone who’s been making it for four or five months and has understood what these sauces do. Everyone has their own tastes and the dish gets its personality from there. So, the question that arises is how do you give it that personality while maintaining a high standard? It comes from the base recipes, which are tried and tested for a long time before we put them out there.

    Tell us a little more about how you set up processes for the cloud kitchen model.
    KR: Mostly, it was about keeping in mind the taqueria concept and the freshness of the produce. When we fixed on a delivery model, where the food was going to be on the road for 30 to 40 minutes, we had to do a lot of tests. Rishabh lives in Bhandup and I live in Wadala. So, I would send him dishes, and we would note how they travelled. Did it get soggy? Did we need two tortillas or extra salsa? From that exercise we decided to send the salsa separately, for example.

    In terms of prep, it was very different from when I worked in restaurants that served tasting menus. At Eleven Madison Park in New York, for instance, we knew that 120 people were going to be coming in for dinner each night and that 14 dishes would be going out to each guest. In a cloud kitchen, you may not get orders for, say, two hours straight, and then suddenly they may come in non-stop until midnight. A match might mean people are ordering in or if it’s a long weekend and people are out travelling, then orders reduce. Still, there’s no way of gauging the volume of business for a particular day.

    We try to keep the prep fresh, but we balance that with some back-up, which will last a little longer. We are very particular about the shelf life of our guacamole and pico de gallo. It’s better to make them twice a day, rather than to serve them the day after. Whereas we make refried beans in bulk because it tastes better the next day. Like dal makhani. Our pork carnitas and lamb barbacoa are made in big batches because they need to be cooked for four to six hours in the oven. So, we freeze them in batches. For the tortillas, we actually have this lady coming in every day. She makes them fresh for the lunch and evening services. We know now that we will need about 200 tortillas from Tuesdays to Thursdays. On weekends, we need more.

    I would’ve thought that as a chef-driven taqueria you would be making the tortillas in-house.
    KR: At first, we tried to make the tortillas ourselves but it’s tough to get it right every single time. At the same time, we were looking for someone to make a tiffin for our staff lunch. It struck us then that the person who makes the rotis that came in our tiffin could perhaps be trained to make our tortillas. So, we took a chance and reached out to her. It took some time for her to get used to the different flour but she turned out to be an expert. Even today, if I tell my cooks to make the tortillas, they’ll take probably four hours to do what she does in one.

    People ask us, “How come your tortillas aren’t masa?” Firstly, there’s no corn available in India. There are some farms that are doing it, but it’s not the same. Even the calcium that you get in India, the chuna, it’s not the same quality. We tried multiple batches and there’s a long way to go in terms of sourcing and finding the right grinder because you need that volcanic stone. So, when we do get it right, we’ll do it but we did not want to do it half-baked.

    How did you think about the branding, the naming and positioning of your taqueria?
    KR: Kiki was my nickname when I lived in Goa many years ago. We then discovered that Kiki also means “get-together”. In African-American slang, the LGBTQIA+ community calls it a “Kiki” when you’re getting together to gossip, drink and have fun. The pastor, on the other hand, is considered by some to be the greatest of all tacos; it’s a topic of debate in Mexico City. We just wanted to give a fun name.

    RD: In that same spirit, we do a few specials, especially on match days. We also do a Taco Tuesday special, where you can make your own combos. That pushes people to try new things because you can get a single piece instead of ordering a full portion. It’s also because Tuesdays are generally considered slower in terms of business.

    KR: Plus, the guacamole is free on Tuesdays.

    RD: In terms of the design, our designer flaked on us and it was too close to launch to find someone else. The only option was to do it ourselves. We did multiple iterations based on a list of keywords that we wanted the brand to be associated with, like “approachable” and “fresh”. That led to the primary colour of the branding being a muted green. The logo itself is hand-drawn and in it, the taco is bitten into already because we want to portray it as so good that you forget to take a photo.

    KR: Which is actually seen in a lot of Instagram posts where we are tagged. We see a lot of bitten tacos.

    RD: We have a few people who’ve taken a photo of an empty plate and said, “I forgot to click it, but it was amazing.” And that’s exactly what we want.

    KR: Tacos are often called “ugly delicious” so they don’t need to look perfect. We don’t cut our tortillas with a cookie cutter either because we want that organic shape. That imperfection makes it approachable.

    How do you employ social media?
    RD: Unlike in a restaurant, things aren’t happening with us all the time. We also do not want to overwhelm our followers. So, we moderate our social media uploads. Reels that share a glimpse of the kitchen and the behind-the-scenes activities generally do well so every day at noon, we post something from the kitchen that announces we are open for orders.

    KR: We do want to put a face to this otherwise invisible operation.

    RD: Our kitchen is kept spotlessly clean by the team. We actually had a couple of customers come in just to see the kitchen. One of them wanted to do catering and one of them wanted to place an order. He wanted to see the place that he’s ordering from.

    Would you say convincing your customers to order the best recommendation is your biggest challenge?
    KR: When you’re in a restaurant, you have a server who recommends dishes. And when people call us, we do the same. But most of our orders come through Swiggy, Zomato or our website. So, there’s no room for recommendations. There’s no room for understanding what they are looking for. It is also challenging to communicate the size of our portions. People have all kinds of expectations. It’s easier to manage those expectations face-to-face.

    Do you feel like there is pressure to employ social media and put your persona out there?
    KR: This takes me back to when Instagram started. Friends, both chefs and otherwise, told me to post more. But when I was working in kitchens, we just weren’t allowed to use our phones on the job and that is something that’s stuck with me. So, it doesn’t come naturally to me to take a photo and post about something I cook. When I’m cooking, I’m cooking.

    Rishabh has considered making a brand out of me as a chef but for me the food is enough. I’m not Mexican. I haven’t grown up around this food. It is something I’m extremely passionate about. I enjoy eating tacos myself. But if you look at my personal Instagram, people are disappointed to not find any food there.

    I am now okay with being in front of the camera because I do realise that people want to see the faces behind the food. Otherwise, you’re just another cloud kitchen. So, when we do events, we make sure that at least one of us is attending. It makes sense for people to know about you. When you know the story behind why someone is doing something, you appreciate it more.

    Did you anticipate that cloud kitchens would become a long-lasting format?
    KR: I think so because even someone like me, who was never a person to order in, did so during the pandemic. Post-pandemic, there are so many cloud kitchens opening up, and so many shutting on a regular basis as well. But there are a few that have stuck because they have modified their product to fit the delivery model. A lot of restaurants have also realised that a chunk of their business is coming from delivery. The culture has shifted drastically. There is also an interest in trying something new. I think people are going to continue ordering in. But the product, and the way that kitchens think about their product while delivering it, is going to make the difference and be the deciding factor in whether that brand succeeds or not.

    RD: The perception of a ghost kitchen or a cloud kitchen before the pandemic was that it must be a small place, probably not very hygienic. The food wasn’t supposed to be great, just cheap. But over the last three years, people have realised that these small kitchens are often serving better food than established restaurants. And they’ve allowed them to come into their lives on a daily basis.

    What is the perfect order from Kiki & Pastor?
    KR: My favourite customer’s order is the same every time and he doesn’t modify anything. It’s three of this, two of this, four of this…. And he gives us an hour’s heads-up. I feel like that’s the perfect order. It’s a big ticket. It’s straightforward.

    So, you’re not particular about what is being ordered?
    KR: No, order anything from my menu and I am happy. It just gets tricky when a customer makes too many modifications and the food loses its essence.

    KR: Our other favourite customer orders a burrito bowl every week and says, “No corn please and thank you,” and I love that. We are quite emotional about our orders.

    Previous: Rehan Mehta, East 7th Pizza & Deli
    Next: Divesh Aswani, Commis Station



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  • AI Arms Race Could Leave People Hiding Indoors: Skype Coder

    AI Arms Race Could Leave People Hiding Indoors: Skype Coder

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    • Jaan Tallinn helped build Skype and is the founder of the Future of Life Institute.
    • He recently warned of the risks of an AI arms race, describing theoretical anonymous “slaughterbots.”
    • This year hundreds in the AI space signed an open letter calling for a pause on AI development.

    “We might just be creating a world where it’s no longer safe to be outside because you might be chased down by swarms of slaughterbots.”

    Those words of warning came from Jaan Tallinn, a founding engineer of Skype, in a recent video interview with Al Jazeera.

    The Estonian computer programmer is a founder of the Cambridge Centre for the Study of Existential Risk and the Future of Life Institute, two organizations dedicated to the study and mitigation of existential risks, particularly risk brought about from the development of advanced AI technologies.

    Tallinn’s reference to killer robots draws from the 2017 short film, “Slaughterbots,” which was released by the Future of Life Institute as part of a campaign warning about the dangers of weaponized artificial intelligence. The film depicts a dystopian future in which the world has been overtaken by militarized killer drones powered by AI.

    As AI technology develops, Tallinn is especially afraid of the implications that military use might have for the future of AI.

    “Putting AI in the military makes it very hard for humanity to control AI’s trajectory, because at this point you are in a literal arms race,” Tallinn said in the interview. “When you’re in an arms race, you don’t have much maneuvering room when it comes to thinking about how to approach this new technology. You just have to go where the capabilities are and where the strategic advantage is.”

    On top of that, AI warfare could make attacks very difficult to attribute, he said.

    “The natural evolution for fully automated warfare,” Tallinn continued, “is swarms of miniaturized drones that anyone with money can produce and release without attribution.”

    When contacted by Insider, the Future of Life Institute told Insider it agreed with Tallinn’s remarks on his fears of weaponized AI.

    These fears have existed for years — the Future for Life Institute was founded almost a decade ago in 2014, quickly gaining the attention of figures like Elon Musk, who donated $10 million to the institute in 2015. But the issue has felt a lot more pressing recently, with the release of ChatGPT and other AI models available to the public, and current fears about AI taking over people’s jobs. Now AI researchers, tech moguls, celebrities, and regular people alike are worried.

    Even director Christopher Nolan is warning that AI could be reaching its “Oppenheimer moment,” Insider previously reported — in other words, researchers are questioning their responsibility for developing technology that might have unintended consequences.

    Earlier this year hundreds of people including Elon Musk, Apple cofounder Steve Wozniak, Stability AI CEO Emad Mostaque, researchers at Alphabet’s AI lab DeepMind, and notable AI professors signed an open letter issued by the Future of Life Institute calling for a six-month pause on advanced AI development. (Meanwhile, Musk was quietly racing to hire and launch his own generative AI initiative to compete with OpenAI, Insider’s Kali Hays first reported, which he recently announced as xAI.)

    “Advanced AI could represent a profound change in the history of life on Earth, and should be planned for and managed with commensurate care and resources,” the letter reads. “Unfortunately, this level of planning and management is not happening, even though recent months have seen AI labs locked in an out-of-control race to develop and deploy ever more powerful digital minds that no one — not even their creators — can understand, predict, or reliably control.

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  • Cloud Kitchens: Divesh Aswani, Commis Station

    Cloud Kitchens: Divesh Aswani, Commis Station

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    Wine & Dine


    Text and Photography by Mallika Chandra.

    Divesh Aswani, 33
    Commis Station
    Location: Mahim
    Speciality: Baked goods, kitchen staples, condiments, confectionery, ice creams

    What led you to start Commis Station?
    I was 70 per cent down the line with my research and development for a restaurant when COVID-19 hit. The only thing that had been left to do was to find a space. So, a year after the lockdown, I kind of just broke the menu down into its basic elements and decided to take off. The only model that seemed to work at the time was the delivery model.

    What was the concept of the original restaurant?
    It was going to be a very casual space with no specific theme. A place where you could get a really good bowl of pasta, a nice noodle soup, a good roast chicken or sandwich.

    And was that the kind of food that you had been making even before you ventured out on your own?
    I left Mumbai when I was 17 and I had the luxury and the opportunity to train at Le Cordon Bleu in Sydney. During that course, I was working part-time. I lived in Australia for 10 years and worked at different cafes serving various cuisines. That’s where I picked up most of my cooking style from. I also ate out a lot which kind of defined how I cooked. Australia being a melting pot of cultures, there’s a lot on offer in terms of food and that just opened me up creatively.

    So that diversity of cuisine has been carried into Commis Station?
    It’s basically what chefs would now define as modern Australian cuisine. They’ve taken influences from different kinds of cuisines and put it together as elements on the menu. I like that you can go to a restaurant as a family of four where a child could want a noodle soup, the mother might want a sandwich or a salad or a fresh pasta and so on. I wanted to create a space where there’s something for everyone, really.

    The name Commis Station itself is a nod to professional kitchen structures. An interesting choice instead of something more related to your product. What was the thought there?
    There was a lot of thought behind the name. Essentially, a commis is the most junior person in the kitchen hierarchy. The first role that you can apply for in the kitchen is that of a commis and then you climb up the ranks.

    Following that hierarchy, the idea was to tell our clients and guests that we are your commis chefs. Everyone was cooking during COVID-19, but they didn’t necessarily want to make fresh noodles or baos or gyoza wrappers. We wanted to be the place where people would reach out and say, “I feel like eating burgers tonight, what can you do for me?” And we’d say, “We can send you the buns, the BBQ sauce, the pickled cucumber, the hand-cut fries and you just have to put it together.”

    In our logo, you’ll see the stripes on the lettering. The stripes resemble those on the aprons that commis chefs would wear back in the day. The commis station is where all the mise en place gets done. So basically, the commis station never stops. Even during service, they’re doing last-minute prep jobs and making sure that the kitchen is fully ready to serve.

    Why offer simplified gourmet? What gaps are you filling?
    The idea is very simple. We use our skill set and provide something that cannot be easily achieved at home. People learned a lot about cooking during COVID-19, but even then, they needed to get staples and condiments. If you look at our sauce range, we started with something familiar — a Sichuan sauce. One of our top-selling dips is the Lebanese garlic spread, which is essentially a toum but we add confit garlic to it to give it our twist. Everything had to be elevated, fresh and something that cannot be made or replicated easily at home. It is a constant battle to do things that other people aren’t doing.

    I was surprised to see how short a time it took for a product to get made from scratch and get packed in the box.
    Yes, but that does backfire sometimes. For instance, people would like to eat bagels for breakfast. But we start our shift at 8 am and by the time it’s ready, it’s like 10 or 11 am and by the time it reaches them, it’s noon. But it is important to me to create a very comfortable work environment for the team. It was difficult when we started because we didn’t know how much we would sell. Now we are almost certain that we’re going to sell X number of sauces every week so those can be made in small batches. And we’re quite vocal about the things that we make in small batches, things that are made-to-order, things that need 48 hours’ notice. It tastes different when it’s fresh. As opposed to any fancy restaurant in the city, which may still be serving portions that did not sell the day before.

    How did you go about setting up your operations and space?
    Tough! It was very tough. I don’t even want to think about those days. Everything that could have gone wrong went wrong. You kind of have to just be ready for it. We faced a lot of issues from licensing to water to the builders not showing up, and we were building during COVID-19!

    I was scouting for deals all around town because so many places were shutting down. So, I was shopping for a coffee machine from one place, picking up someone’s shelves from another part of town, a second-hand oven from somewhere else. It was just full-on hustle mode.

    But it was a labour of love and obviously we had to be very careful with what we spent. I wasn’t sure whether this was going to take off. Fortunately, things worked out and Commis Station has been growing both in terms of the services we offer and the business that we can take on.

    How do you manage to keep growing?
    It really helps to have a very strong team. My team has supported my decisions and backed me up with the long hours, when needed, or adapted to serving at catering gigs we take on at the last minute. I try to lead by example. I’m very proud of the fact that I’m always the first one in and the last one out, I’m very hands-on and that is central in keeping the morale of the team up.

    The fact that I speak to all my customers and take their orders also helps. I feel that people have gotten so used to ordering on apps that they have forgotten the old school way of ordering food by calling a local restaurant guy and asking what was available that night. I have this group of select clients who just randomly pick up the phone when they don’t really feel like cooking and say, “Can you sort me out tonight?” And I think that’s a very nice part of the business. I’ve built very strong relationships with my clients, some of whom have even invited me over to their homes for special occasions!

    It must take time to maintain these strong relationships. Do you take out time to focus on marketing and social media?
    It’s not as well planned or designed as you may think it would be. When you’re an entrepreneur and you’re hands-on and you’re cooking, managing a team, doing sales and talking to customers, you just look for that five-minute gap and you jump on Instagram and post whatever is being done. Sometimes, I’ll be walking by a pile of bread and think that it looks great. And I’ll post that. A lot of it is just very spontaneous and very unplanned and I think that’s what makes it stand out. It’s organic and not staged.

    Given that your offering is so much about being chef-driven and elevating staples, do you feel like the business is closely tied to your persona as a chef? How much of yourself do you have to put out on social media when it comes to creating content?
    If you look at my profile versus Commis Station’s, I personally have more followers. But I’m not a chef who’s constantly on social media. It’s not that I’m not a social person. But I’m not someone who craves Instagram likes or thinks much about hashtags. I follow very few people. For me, being on Instagram for business is enough.

    What are some of the challenges you face as a cloud kitchen?
    The toughest part is figuring out how to get the food or the product to the client in the best possible way. That’s always been the challenge and always will be. Some days you can pull off a dessert and then a few months later it’s so hot that you cannot serve that dessert anymore. There’s a lot of science behind cooking, but it’s very hard to convey that to the customer.

    It is also difficult to stay motivated while doing the same thing over and over again for years. That’s why I like the catering aspect of the business because it breaks the monotony. We go out, we cook in front of people and we interact.

    Do you take time off?
    I don’t. It’s mainly because of work that I travel. I’ve been working with Ishka Farms and producing a condiment range with them that’s caper-focused. So I travel to Kochi quite often because I have to be there for the production part of it. I love pop-ups. I do a lot of collaborative dinners. Once the work is over, I spend an extra day or two for fun and come back. That’s always going to be the luxury of being a chef — you can go to any part of the world and have a job.

    How do you stay inspired?
    It’s a process in itself and it actually happens when there is a lull. A quiet period might feel like something is wrong but usually it’s nothing to worry about. It could just be a festive weekend or maybe people are travelling. And so, every time there’s a lull, I use the time to create something new, post about it and get eyes back onto Commis Station. An idle mind is not always the devil’s workshop.

    Some of your items, especially the tiramisu, have a cult following.
    It does. I actually got the coffee machine for the kitchen thinking that I’d be this cool guy selling coffee in the compound. That never happened but because of that coffee machine, I started making tiramisu. Life works in mysterious ways. On average, we sell about 150 to 160 kilos of the dessert per month.

    What is the perfect order from Commis Station?
    It’s always going to be the tiramisu because that never lets you down and it’s in the sharing format, so everyone’s happy. But we can also help you put a meal together, so ordering something from the bakery, some sauces, some condiments, some staples, is a good way to go. I like to encourage people to kind of mix and match. Whenever someone calls for baos, I’ll also suggest ordering the kimchi and sesame. People don’t always have the knack of putting things together so the perfect order would always be to take the suggestions of the chef.

    Previous: Kartikeya Ratan and Rishabh Doshi, Kiki & Pastor
    Next: Anushka Malkani and Nariman Abdygapparov, Masa Bakery



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  • “Not having architectural education makes you find solutions” says Charlotte Taylor

    “Not having architectural education makes you find solutions” says Charlotte Taylor

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    Visualisation artist Charlotte Taylor discusses how she is translating her digital design work into built architecture projects for the first time in this interview.

    Taylor is the founder of 3D-design studio Maison de Sable, where she collaborates with other 3D designers on renderings of imaginary, fantastical interiors and buildings.

    Recently Taylor’s designs have become less fantasy-driven and closer to real spaces, with some of them set to get built as physical architecture projects.

    “In the long term, I’d like to move more into architecture,” Taylor told Dezeen.

    3D designer Charlotte Taylor in her apartment
    Taylor is venturing into built architecture projects for the first time. Image by Thea Caroline Sneve Løvstad and top image by Nicholas Préaud

    Having not pursued formal architecture training, the designer believes there should be more non-traditional pathways to designing buildings.

    “I didn’t train in architecture at all,” she said. “I think it would be great if there were more entries into architecture because it’s such a hard career to get into.”

    “I’d like to think that there’s hope that you can get into building physical spaces through unconventional means.”

    3D render of a modern building in the jungle by Charlotte Taylor
    Casa Atibaia is a fictional home in Brazil that is due to be built. Image by Nicholas Préaud

    One of Taylor’s designs due to be built is Casa Atibaia, a house that was originally conceived as an imaginary project in collaboration with designer Nicholas Préaud.

    The duo imagined the house situated by the Atibaia River in São Paulo, creating a digital model of part of the riverbank based on information from Google Maps.

    Front cover of the Design Dreams book by Charlotte Taylor
    The interior of Casa Atibaia features on the front cover of Taylor’s book

    From this, Taylor and Préaud designed a concrete and glass fantasy home raised on huge boulders, the interior of which features on the front cover of Taylor’s first book, Design Dreams, published last month.

    Although the project was not originally intended to be built, Taylor is now in the process of finding a plot of land suitable to actualise the design.

    Modernist home raised on large boulders in the jungle
    The fantasy home is raised from the floor on boulders. Image by Nicholas Préaud

    Taylor has also collaborated with architectural designer Andrew Trotter on a house in Utah, which forms part of Trotter’s wider design for a hotel and retreat centre named Paréa.

    The house, which is currently under construction, was designed to blend into the desert landscape with large spans of glazing and walls finished in lime plaster.

    Modernist house in the Utah desert with floor-to-ceiling glazing
    Taylor also worked on a house in Utah that is currently under construction. Image by Klaudia Adamiak

    According to Taylor her fictional designs have received a mixed response from architects, with some saying that “in the real world, it doesn’t work like that”.

    But for Taylor, not having an architecture degree and exploring spatial design digitally without being constrained by lighting, noise, safety and budget requirements allows for more creativity.

    Interior with an armchair and views of a desert landscape
    The house in Utah was designed to blend into the landscape. Image by Klaudia Adamiak

    “It acts as a sort of creative playground for me in which I can test out all these concepts and see how they work visually,” said Taylor.

    “Then bringing that into the physical world and working with engineers and architects, it becomes pared down.”

    “I think not having architectural education makes you find different solutions or ideas to bring to the real world that wouldn’t have come from just designing an actual space,” she added.

    Kitchen interior with wood kitchen units and floor-to-ceiling windows with sheer curtains
    According to Taylor, digital design allows for more creativity than designing for the real world. Image by Klaudia Adamiak

    The designer mentioned that her design icon Carlo Scarpa also never became a licenced architect.

    “My icon, Carlo Scarpa, never had his full qualification, so there are little stories that inspire me, but the general thinking is quite rigid – this particular entry is a bit frowned upon from what I’ve experienced,” said Taylor.

    Having learned most of her design skills from experimenting with digital design and collaborating with other designers, Taylor describes herself as “self-studious” and encourages other designers to create work that they feel best represents themselves.

    “Strive to build a portfolio that excites you and represents you the most,” Taylor said.

    “Through building a portfolio and working with 3D designers and architects was how I learnt – it’s very research-heavy.”

    Modernist house in the Utah desert with floor-to-ceiling glazing
    She founded the 3D-design studio Maison de Sable. Image by Klaudia Adamiak

    Taylor’s Design Dreams book features 3D designs of buildings and interiors created by herself and other artists.

    The curation includes fantasy-like environments as well as renderings of interiors that appear like real, tangible spaces.

    “[The book] became a space in which to share my personal projects, the artists I work with and work I admire around the field of interiors and architecture,” said Taylor.

    Modernist house at night in the Utah desert with floor-to-ceiling glazing
    Taylor recently published her first book. Image by Klaudia Adamiak

    Although most of the images are already widely shared online, by collating them all into one volume Taylor hopes readers will enjoy getting lost in the printed format.

    “The same way that the Instagram page acts where people go to get lost in the images, to have that in a physical format means you are able to spend more time in detail than you can on a phone screen,” she said.

    The Design Dreams book open on a table
    Design Dreams features work by Taylor and other digital designers

    “To take something digital that doesn’t exist in the physical world and bring it to print was quite important for me, to see it in that way,” the designer added.

    Although they work in the digital sphere, Taylor maintains that 3D-visual creators play a part in interior design trends.

    Rendered images in the Design Dreams book by Charlotte Taylor
    It collates digital designs into a physical format

    “The arts trends that happen in 3D gradually make their way into interior spaces, and it’s really interesting to see the Pinterest effect,” she said.

    “People love to collect images and make their ideal moodboard with them, and these spaces really play into that. People are constructing their own ideas and making architecture and interiors more accessible rather than something very professional.”

    In her own interior visual designs, Taylor includes elements from her actual home to make the spaces feel more relatable than traditional architecture renderings.

    Page spread of the Design Dreams book
    The Design Dreams book includes fantasy interiors and ones that look like real spaces

    “It’s down to the construction of the images, they have this sort of lightning and familiarity, and we always put little props that will often be things from my home,” she said.

    “These little details make it lived-in and more relatable versus traditional architectural visualisation, which can be very sterile and not aesthetically relatable.”

    Taylor has also previously worked on various NFT projects, including a video artwork informed by an OMA-design sculpture and NFT capsules that contain digital images of fantasy architecture projects.

    The images are by Charlotte Taylor unless stated.

    Dezeen In Depth

    If you enjoy reading Dezeen’s interviews, opinions and features, subscribe to Dezeen In Depth. Sent on the last Friday of each month, this newsletter provides a single place to read about the design and architecture stories behind the headlines.

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  • Russia Making Exploding Drones Arsenal Bigger, Deadlier: Documents

    Russia Making Exploding Drones Arsenal Bigger, Deadlier: Documents

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    • Russia is trying to make its exploding drones deadlier, according to leaked documents.
    • The documents, obtained by The Washington Post, detail efforts to bolster their UAV program.
    • Moscow is attempting to make a deadlier, more advanced variant of the Iran’s Shaheds.

    Russia has hammered Ukraine with deadly explosive-laden one-way attack drones, relying on the Iranian-made unmanned aerial vehicles to bombard enemies on the battlefield and strike inside cities like Kyiv. Now, leaked documents show Russia plans to build its own drones and is exploring a deadlier variant able to strike autonomously.

    The documents obtained by The Washington Post detail Russian efforts to bolster their UAV capabilities in Ukraine with manufacturing assistance from Iran. These include efforts to domestically build 6,000 drones by summer 2025, including new variants of the Iranian-made Shahed-136 drones much more capable than the current model.

    The Post reported that as part of Russia’s secret drone project, which is conducted at a facility where workers’ passports are confiscated to keep them from leaving the country and messages use coded language, Russia is looking to develop a version of the Shaheds — or as they call them, the Geran-2s — that is more advanced and deadlier than Iran’s.

    These drones would have the ability to coordinate and conduct attacks, including swarm attacks, with autonomy, presumably relying on artificial intelligence. Right now, Shahed-136s are programmed with a target before launch. 

    Ukraine has also been experimenting with better drones, including AI-enabled drones that are more resistant to jamming.

    The Iranian-made Shahed-136s that Russia uses are a kind of loitering munition with a range of around 1,250 miles. They operate differently than a drone despite being commonly referred to as one. Packed with an explosive payload, these weapons fill a gap between drones and cruise missiles, flying around an area before locating a target and slamming into it.

    Although a single Shahed-136 may not do significant damage, a swarm has the potential to prove devastating.

    Shahed-136s are also relatively cheap to develop and deploy, meaning there’s an asymmetric advantage to using the loitering munition to hit certain targets as opposed to more expensive cruise missiles, which cost millions of dollars as opposed to tens of thousands.

    Russia began receiving shipments of Iranian Shahed-136s, last summer and has been using them regularly, often against civilian infrastructure in cities. If Russia is able to develop a larger, stronger arsenal, it may be able to attack more frequently with far greater numbers of these exploding drones. 

    The development of a better UAV force could help Russia better supplement its limited precision guided munitions and allow them to hit harder behind enemy lines.

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  • Bakuchiol: What Is This Retinol Alternative?

    Bakuchiol: What Is This Retinol Alternative?

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    You may have heard the social media buzz around bakuchiol, with lots of (tik) talk about this ingredient among skin care enthusiasts. So why is it getting so much hype? Touted as a natural retinol alternative, this plant-based powerhouse offers many of the same skin benefits as conventional retinol, minus the harsh side effects. Let’s peel back the layers and explore what is bakuchiol, what skin care products feature this botanical extract and its long list of skin care benefits.

    What Is Bakuchiol?

    Bakuchiol is an extract derived from the leaves and seeds of the babchi plant. Though it’s relatively new to the beauty world, the herb has been used in Indian Ayurvedic and Chinese medicines for hundreds of years. Traditionally, this potent little plant has been used to help heal, calm and soothe the skin, thanks to its anti-inflammatory and antibacterial properties. 

    Bakuchiol has been touted as an effective and natural alternative to conventional retinol. While the two are different in numerous ways, including at a molecular level, many of their benefits are similar. Yet what sets them apart is what makes bakuchiol the new darling of the skin care world. 

    Conventional Retinol is known as an ingredient that multitasks to help your skin look its best. It increases skin cell production, helps unclog pores, exfoliates skin and increases collagen production, which can reduce the appearance of fine lines and wrinkles, giving your complexion a fresher, plump appearance. Sounds too good to be true, doesn’t it? Well, for some, it is. Retinol can cause increased irritation, excessive dryness, peeling, itchiness and enhanced sun sensitivity. 

    Enter: Bakuchiol. This plant-based powerhouse offers many of the same results as retinol without the harsh side effects or concerns. In other words, all of the upside with none of the down. It can reduce the appearance of fine lines and wrinkles, help restore firmness, refine skin texture and even out skin tone in a gentle yet effective way. 

    Benefits of Bakuchiol

    You keep hearing about it and we’re here to tell you that the hype is real. Let’s explore this ingredient a little further and find out why it’s having such a moment in the skin care world. 

    Doesn’t Irritate

    One of the many things that retinol users find irritating is, quite literally, irritation. Peeling, redness and sensitivity are often associated with a topical retinoid. While these unpleasant side effects usually subside after a few days or weeks (as your skin gets used to the ingredient), those with sensitive skin can find the process too uncomfortable to endure. And this is assuming the retinol concentration is appropriate for your skin – even at a low level, like 0.25%, the peeling and redness can be at a 10. This is a conversation for your dermatologist if you want to go that route, but bakuchiol products are another option worth exploring. Bakuchiol is well tolerated by most skin types, including sensitive, and can be used day and night (conventional retinol should only come out after dark) because it doesn’t cause sun sensitivity, which is a major bonus.

    Smooths The Look Of Fine Lines And Wrinkles

    Is there anyone who doesn’t want their skin to look and feel smoother? Clinical studies have demonstrated bakuchiol’s potential in minimizing the appearance of fine lines and wrinkles. Its ability to enhance cell turnover results in smoother and more even-toned skin by boosting elasticity and firmness. Incorporating bakuchiol into your skin care routine can help you achieve a youthful-looking and rejuvenated complexion. Sign us up!

    Improves The Appearance Of Dark Spots

    Dark spots and other forms of hyperpigmentation can occur when the skin produces excess melanin, the pigment that gives skin its color. It can affect any skin type and commonly develops during pregnancy, after chronic sun exposure, with older age or after an injury or acne scarring. Conventional retinol is often suggested as a way to fade the appearance of dark spots – though it can be a slow process and irritating to this skin as mentioned above.

    According to Everyday Health, bakuchiol can be a safer alternative to conventional retinol for people experiencing hyperpigmentation. And speaking of pregnancy, derms advise ditching conventional retinol when expecting a little one — while the same caution isn’t typically needed for the safe and natural bakuchiol ingredient. (However, we always recommend consulting a healthcare professional when changing your skin care routine during pregnancy.)

    Antioxidant Properties

    Bakuchiol is known for its antioxidant properties that help shield the skin from harmful free radicals that contribute to premature aging and skin damage. These antioxidants neutralize oxidative stress, reducing the occurrence of age spots, sun spots and other signs of environmental damage. 

    Anti-Inflammatory Effects

    Inflammation is a common culprit at the root of various skin concerns like acne, rosacea and eczema. If you’re managing any of these issues, good news! Bakuchiol is known to have anti-inflammatory properties, which can help soothe and calm irritation in skin while also reducing swelling and redness. 

    Suitable For All Skin Types

    Bakuchiol is generally well-tolerated by all skin types. Whether you have oily, dry, sensitive skin or some combination, this is an ingredient that will almost certainly work for you. Like with all new ingredients, it makes sense to start out slow and see how your skin reacts, but it’s safe to say that chances are, your skin will love it and you will love the results!

    Have you tried bakuchiol? Join the conversation in the comments and let us know what you think about this conventional retinol alternative. 

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